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Imagination's grip on science

Metaphilosophy 37 (2):222-239 (2006)

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  1. Modeling Leadership in Tolkien’s Fiction: Craft and Wisdom, Gift and Task.Randall G. Colton - 2020 - Journal of Business Ethics 163 (3):401-415.
    This article contributes to conversations about the “Hitler problem” in leadership ethics and the use of literary narratives in leadership studies by proposing Tolkien’s fiction as a model of leadership. Resonating with Aristotelian and Thomistic themes, these narratives present leadership as more a matter of practical wisdom than of morally neutral craft, or, more precisely, they model leadership as a matter of using craft for the sake of wisdom’s ends. Those ends become intelligible in terms of a triadic account of (...)
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  • Thought Experiments: State of the Art.Michael T. Stuart, Yiftach Fehige & James Robert Brown - 2017 - In Michael T. Stuart, Yiftach Fehige & James Robert Brown (eds.), The Routledge Companion to Thought Experiments. London: Routledge. pp. 1-28.
    This is the introduction to the Routledge Companion to Thought Experiments.
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  • Emergence of scientific understanding in real-time ecological research practice.Luana Poliseli - 2020 - History and Philosophy of the Life Sciences 42 (4):1-25.
    Scientific understanding as a subject of inquiry has become widely discussed in philosophy of science and is often addressed through case studies from history of science. Even though these historical reconstructions engage with details of scientific practice, they usually provide only limited information about the gradual formation of understanding in ongoing processes of model and theory construction. Based on a qualitative ethnographic study of an ecological research project, this article shifts attention from understanding in the context of historical case studies (...)
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  • Mary Hesse on the role of the human imagination in the philosophy and practice of science.Jodie Lee Heap - 2024 - Studies in History and Philosophy of Science Part A 107 (C):73-81.
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  • William Harvey's bloody motion: Creativity in Science.Laszlo Kosolosky & Dagmar Provijn - unknown
    In this paper, we show how the discovery of the circulation of the blood by William Harvey sheds new light on traditional models of creativity in science. In particular, the example illustrates where both the enlightenment and the romantic view on creativity go astray. In the first section, we sketch the two views and present a list of problems for both. In the remainder of the paper, we demonstrate how William Harvey’s discovery, as a historical case study of creativity in (...)
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