This study aims at exposing the phenomenological description of attention as presented by Husserl in his 1904-05 Göttingen-lecture Principal Parts of the Phenomenology and Theory of Knowledge, in its relevance for the study of so-called “intuitive re-presentations”, that is, phantasy and image-consciousness. Starting with the exposition of the fundamental traits of the intentional theory of attention, this study discusses the definition of attention in the terms of meaning [Meinen] and interest, which allows it to become an encompassing modification of all (...) kinds of lived experiences that does not imply an alteration of their act-character (Husserl, 2004: 73). We refer to this character of attention as “plasticity”. In what follows, the study underlines these two definitions of attention and their importance for the understanding of phantasy and image-consciousness. Both kinds of re-presentations will be described stressing the role of attention in the “structuring” of the intentional act and in its affective basis. Finally, the study deals more specifically with the complex description of image consciousness from the viewpoint of the attentional meaning of the image subject. (shrink)

This paper argues that the gesture of being silent —or “subjective silence”— can be described as a specific modulation of attention, in which consciousness gains awareness of a specific realm of experience where the body appears as a transcendental dimension of the self. Taking Dauenhauer’s typology as a point of departure, I will describe what I understand with the expressions “subjective silence” –and “the gesture of being silent”– and try to show its specific relation to “attention,” according to Husserl’s description (...) of it. Second, that the noematic field of this “subjective silence” is the realm of the pre-predicative, since it allows consciousness to maintain a certain intentional tension that does not focus on any categorial object. Finally, I will try to show that in this realm of the pre-predicative, the body appears as an immanent dimension of consciousness and, therefore, not as a mere object but as a transcendental instance of the self. (shrink)