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  1. The ‘Worlds of Cinema’ and the ‘Cinema of Worlds’: A Heideggerian Phenomenology.Ben Trubody - 2024 - Phainomenon 37 (1):43-59.
    Within a range of academic disciplines like film studies, philosophy of film, and narratology, scholars talk about ‘worlds.’ In this essay, I present various ‘ontic’ and ‘ontological’ descriptions of ‘world’ according to a Heideggerian phenomenology. My aim is to distinguish between what I call the ‘worlds of cinema,’ which bring about a particular subject-object relationship experienced as absorption, immersion, distraction, or distancing, and the ‘cinema of worlds,’ where film as art unsettles us as an ontological event, disrupting the subject-object dynamic (...)
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