This article explores the rhythmic body with the example of the embodiment of the ‘bashment gal’ and the role she plays in the dancehall sound system session. It considers rhythm as an energetic patterning process operating both within and between media. Rhythm provides a means of communication and making sense that does not rely on representation or code. There are three elements to performance techniques of the rhythmic body – amplification, inflection and transduction. Amplification for the bashment gal’s performance techniques (...) involves increasing the size or effort of her dance movements, dancing in a chorus line accelerating her tempo. In what is considered as a hyper-sexualized arena of the dancehall session, it is argued that the bashment gal has to be understood in terms of African traditions where sexual pleasure and fertility are not separate. With rhythmic inflection the bashment gal gives distinctiveness to her performance, as is much prized in the style and fashion of the dancehall scene. The transduction of patterning from one medium to another, via tympanic surfaces, helps to forge the sound system session and the bashment gal as a rhythmic whole and fosters her sense of identity as a rhythmic body. (shrink)

In Curanderismo and other traditional medicine systems, illnesses are understood to have somatic and emotional components and symptoms may be elicited by disruptions in interpersonal relationships between community members. An aspect of ritual interventions involves returning interpersonal relationships to balance and restoring harmonious interactions between members of the community. Important are shared understandings of the meaning of the symptoms, the mode of transmission of the illness, and the resolution that occurs through the process of the healer’s ritual interventions. In this (...) essay, I present a narrative description of the illness, La Envidia, which is associated with the expression of the emotion, envy. The narrative was shared with me by a person who is a migrant from an Afromestizo community of the Pacific Coast of Mexico to Atlanta, Georgia. The illness, La Envidia, is discussed and interpreted framed by perspectives including Participation Mystique and blurred psychological boundaries, traditional indigenous conceptualizations of illness, shamanism and symbolization processes, shared meaning, traditional Yoruba informed African conceptualizations of illness and healing practices, and somatic and embodied ritual experiences. (shrink)

Much has been made of the ‘Southern difference’ in cultural and sociological images of the North American landscape. Everything isdifferent there: the cuisine, the music, the religion, and the politics. Moreover, the South was the crucible in which two of the definitive North American experiences were formed: the Civil War (1861–5) and the Civil Rights Movement a century later. This article poses another important category, in addition to ‘race and space’ – namely, the concept of tragedy, and the correlative rendering (...) of the South as ‘America's tragic landscape’. (shrink)

Rather than considering the modernist aesthetic of primitivism as singular, this article contends that there are multiple and diverse primitivist projects. Each of these speaks to its historical co...