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Law of genre

In Parages. Stanford, Calif.: Stanford University Press (2011)

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  1. Habermas, Derrida, and the Genre Distinction between Fiction and Argument.Sergeiy Sandler - 2007 - International Studies in Philosophy 39 (4):103-119.
    In his book, The Philosophical Discourse of Modernity, and especially in the “Excursus on Leveling the Genre Distinction between Philosophy and Literature” (pp. 185-210), Jürgen Habermas criticizes the work of Jacques Derrida. My aim in this paper is to show that this critique turns upon itself. Habermas accuses Derrida of effacing the distinctions between literature and philosophy. Derrida indeed works to subvert the distinction between fictional and argumentative writing, but in doing so he works with the genres he is mixing. (...)
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  • Making the Humanities Scientific: Brentano’s Project of Philosophy as Science.Carlo Ierna - 2014 - In Rens Bod, Jaap Maat & Thijs Weststeijn, The Making of the Humanities. Volume III: The Making of the Modern Humanities. Amsterdam University Press. pp. 543-554.
    On July 14, 1866 Franz Brentano stepped up to the pulpit to defend his thesis that “the true method of philosophy is none other than that of the natural sciences”. This thesis bound his first students to him and became the north star of his school, against the complex background of the progress and specialization of the natural sciences as well as the growth and professionalization of universities. I will discuss the project of the renewal of philosophy as science in (...)
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  • Occasional Deconstructions.Julian Wolfreys - 2012 - SUNY Press.
    In Occasional Deconstructions, Julian Wolfreys challenges the notion that deconstruction is a critical methodology, offering instead a number of reintroductions or reorientations to the texts of Jacques Derrida and the idea or possibility of deconstructions. Proceeding from specific readings of various texts (both film and literary), as well as mobilizing a number of issues from Derrida's recent work surrounding questions of ethics, politics, and identity, Wolfreys considers the role of deconstruction in broader academic and institutional contexts, and questions whether, in (...)
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