Derridean hospitality is seen to undergird ethical teacher–student interactions. However, hospitality is marked by three aporias that signal incommensurable and irreducible ways of being and responding that need to be held together in tension without eventual synthesis. Due to the sociopolitical materiality of race and the phenomenological difference that constitutes racialized bodies, educators of color in interaction with white students are called to live the aporetic tensions that characterize hospitality in distinctive ways that are not currently emphasized in the discourse (...) on the educator’s responsibility as it is informed by an ethic of hospitality. The asymmetrical nature of hospitality is reconfigured through the terms of eros and hospitality’s link to education aimed at social justice is posited to be stronger than is currently suggested in the educational theory literature. (shrink)

In philosophy and rhetorical studies, self-knowledge inscribes the absolutely indivisible line that separates “the human” from “the animal.” Autodeixis, the self-reflexive power of the I, is the condition both for language acquisition and for reason; it names an exceptional sort of auto–affection in which a being demonstrates the capacity to step back from itself enough to recognize itself and so to refer to itself as itself. What I propose in this article, however, is that autodeixis involves not a specifically human (...) power to disclose an ontological as such but the extrahuman operations of an allegorical as if. The presumption of self-knowledge is not an innate quality of “the human” but the already relational condition for any living being that must repeat itself to be itself. A kind of preoriginary rhetoricity, I argue, is the very condition for the singularity and functioning of any living being. (shrink)

Cross-cultural scholarship in ritual studies on women's laments provides us with a fresh vantage point from which to consider the function of women and women's complaining voices in the epic poems of William Blake. In this essay, I interpret Thel, Oothoon, and Enitharmon as strong voices of experience that unleash some of Blake's most profound meditations on social, sexual, individual, and institutional forms of violence and injustice, offering what might aptly be called an ethics of witness. Tracing the performative function (...) of Enion, Jerusalem, Vala, and Erin in Blake's later epics, The Four Zoas and Jerusalem , I argue for the close connection between the female laments and the possibility of redemption, though in Blake such "redemption" comes at the cost of the very voices of witness themselves. (shrink)

In ‘Force of Law’, Derrida’s discussion of the ‘unstable’ distinction between law and justice exemplifies the deconstructive double bind and makes this a very significant text in virtue of its juridical, political and ethical import. The first section focuses on Derrida’s deployment of the polysemous term ‘force’. ‘Force’ refers to the enforceability of the law but also to the performative and interpretative foundational violence at the moment when a new order of legality is instituted. In the second section, I argue (...) that Derrida’s insistence on the differential relation between law and justice and on the corollary deconstructibility of the law leads to a critique of the current legal system and its axiomatics. I show that deconstruction appeals to unconditional justice in order to call for an excessive responsibility on the part of the legal system, to broaden the category of subject of law, and to have an impact on the lives of others in the margins of the established political order. (shrink)

This article investigates the work of mourning following the terrorist attacks in New York and Washington on September 11, 2001. Combining discussions of mourning, kitsch and sentimentality, I examine the perverse transformation of grief into patriotic nationalism. Linking Freud’s description of mourning as work with Derrida’s articulation of grief as ‘a work working at its own unproductivity’, I explore how grief has been paired with icons of American nostalgia, such as Norman Rockwell, as well as kitschy souvenirs from Ground Zero (...) vendors, and, through this pairing, been transformed into a motive force for war. A central part of this operation, I argue, is the process of identification with the traumatic event. Identification, what Freud describes as a ‘binding force’, takes place across diverse fields - from White House speeches, to kitsch memorabilia made available immediately following the attacks. Identification with the event enables identification with the nation - an operation immediately reifying the official rhetoric of ‘Us against Them’ propounded by President Bush and his advisers. As grief over 9/11 is transformed into a perpetual rationale for war, that day becomes a new origin conveniently obliterating all that came before regarding the history of US nation-building and its own brand of terrorism. (shrink)

Educational theorists working within the tradition of Jacques Derrida and Emmanuel Levinas’s thought, posit teaching to be a site of implied ethics, that is, a realm in which non-violent or less violent relations to the other are possible. Derrida links ethics to the realm of friendship, enabling one to understand teaching as a site of the ethics of friendship. I clarify how friendship, as a re-metaphorization of differance, opens us up to a conception of teaching that provides a counterpoint to (...) the current discourse of ‘effective’ teaching. I draw out the implications of the Derridean conception of friendship for the educator in his or her philosophical orientation towards teaching and attempt to show that friendship points the educator towards an orientation that enables a ‘fine tuning’ and opening up of one’s sense of obligation and responsibility to one’s students in ways that cannot be circumscribed to current or institutionally sanctioned ways of understanding the activity of teaching, especially as it is often envisioned in American public education. (shrink)

This essay sounds out Derrida's plurivocal term of frequencies as well as Nancy's understanding of resonance to argue that ghosts live in the ear. Heeding how the different nuances of this term bear on Derrida's reading of Hamlet, it not only seeks to understand the significance of the ghost's rhythmic appearance:disappearance in Shakespeare's play, but indeed, how it comes to frequent Derrida's Specters of Marx.

Khora, as it figures in Plato’s Timaeus, as read by Jacques Derrida, poses a singular translation problem, not only for having more than one meaning, but also for having less than one. This might be thought of in terms of Derrida’s distinction between ‘polysemy’ and ‘dissemination’, in so far as any concept of translation will ‘re-mark’ a translation or reception of something like khora, the ‘all-receiving’. This means both that khora is untranslatable and that its translation into every language is (...) inevitable, which has implications for the question of a ‘politics of khora’, as becomes particularly apparent in Derrida’s unpublished seminar from 1985–86. (shrink)

I begin by examining the logic of autoimmunity as characterized by Jacques Derrida, ‘that strange behaviour where a living being, in quasi-suicidal fashion, ‘‘itself’’ works to destroy its own protection, to immunize itself against its own immunity’ (Borradori, 2003: 94). According to Derrida, religion, democracy, terrorism and recent responses to the trauma of terrorism can be understood in terms of this logic. Responses to terrorism are ‘autoimmune’ and increase the trauma of terrorism as well as risking democratic values. I argue (...) that the risks of autoimmunity can be negotiated in better ways if we see how autoimmunity relates to another important Derridean concept, hospitality. (shrink)

In this article, we consider Derrida’s grasp on counter-institution and outline a peculiar modality of ethics that it engenders. After evoking his counter-institutional public engagements in the introduction, we begin an analysis of the word counter-institution. In the first place, the polysemy of its prefix “counter” is exposed, followed by the claim that in Derrida’s philosophy this term denotes proximity and contact, rather than opposition – thus determining the architecture of the counter-institution. Furthermore, we discuss Derrida’s critique of traditional, sovereign (...) institutions that he saw as unjust and violent, relating it to his theory of decision, and making the claim that counter-institutions are inseparable from justice. In the second part, we conceptualize what is named the counter-ethics of promise and responsibility. By juxtaposing Derrida’s unorthodox views on the notions of promise and responsibility, we seek to formulate a counter-ethical thought that animates the relations in and of the counter-institution and challenges the limits of ethics. Finally, we propose that Derrida’s idea of unfaithful fidelity could be understood as the very condition counter-ethics, and by consequence, of deconstruction. (shrink)

In “Toward an Ethic of Discussion,” Jacques Derrida returns to the controversy with Jonathan Searle to clarify his position but above all because he “would have wished to make legible the (philosophical, ethical, political) axiomatics hidden beneath the code of academic discussion.” I intend, in turn, to return to this text in order to find in it not only the conditions of an ethics of academic discussion but also of interpretation in a deconstructive perspective. In “Toward an Ethic of Discussion,” (...) in fact, it is possible to point out the necessity of a certain ethical treatment of the texts. In particular, how can we determine the conditions of an ethical use of quotation against the always possible manipulation of the text that quotation makes possible? I attempt to answer this question claiming that the reading protocol of deconstruction meets these conditions showing us at the same time the ethical conditions of scientific discourse in general, beyond any scientific claim of objectivity. (shrink)

Abstract:This paper sheds light on the relation of mutual exclusion and implication that binds Derridean ethics with the figure of God. In rupture with existing scholarship that categorizes Derridean ethics as either radically atheistic or dialectically pertaining to the Judeo-Christian moral order, I put forward the argument that Derrida’s ethical thinking is best considered outside of the dialectics of a/theism. I demonstrate that, far from plainly disproving or falling within the bounds of existing religious discourses, Derrida inaugurates a new way (...) of relating to the absolute – whether it be named God, the infinitely other, or justice – beyond nihilism and idealism, atheism and theism, or more precisely between the two, in a space Derrida refers to as the space of spectrality. I thereby hope to finally do justice to the subtlety of Derridean ethics and foster the recognition that, twenty years after Derrida’s death, his ghosts can be of use in tackling some of the greatest ethical and political challenges of the twenty-first century, including the pursuit of peaceful pluralism in the context of rampant violence carried out in the name of God. (shrink)

_ Source: _Volume 46, Issue 3, pp 405 - 425 This article focuses on Heidegger’s reflection on death in Being and Time, on the question of whether death can be mine, on what the connection between death and mineness can tell us about schizophrenia, and on the relation between Heidegger’s talk of death and mineness and Derrida’s talk of mourning and mineness.

Amy Allen presents Adorno’s and Horkheimer’s Dialectic of Enlightenment as a productive movement between a commitment to the project of reason and a sensitivity to the effects on reason of power and domination. Agreeing with the thrust of her paper, my response considers two questions that Allen’s paper opens up. The first asks how individuals might seek emancipation through reason, knowing that their reason cannot transcend contexts of power. The second asks how best to practise critical theory, given that its (...) analyses and categories cannot rid themselves of contexts of domination. To the first, I answer that Allen’s account of creative individual effort needs to be supplemented by the cultivation of an accommodating and welcoming culture, marked by the sorts of civic attitudes that Derrida and Habermas bring to their maturing relationship. Regarding the second, I extend Allen’s hopes for a post-Habermasian phase of critical theory, indicating four resources in contemporary French philosophy for its further development. (shrink)

I mourn therefore I am.I live my death in writing.In Specters of Marx, Jacques Derrida hails a new “scholar”—a scholar to come, a scholar of the future—who addresses the dead . This new scholar would stand in stark contrast to the “traditional” scholar, who has never been “capable” of “addressing himself … to ghosts” precisely because the “traditional” scholar insists on the “the sharp distinction between the real and the unreal …, the living and the non-living” and hence does not (...) believe in “the virtual space of spectrality” . The specter—as an incorporeal phantom—challenges such “sharp distinctions”: if the specter doesn’t exist, how can it be?1 How can the nonliving be living, and how can the .. (shrink)

Constellations, Volume 28, Issue 4, Page 570-587, December 2021.

Volume 11, Issue 1, March 2019, Page 34-47.

Derrida’s highly personal mourning texts are collected and published in a unique book under the title The Work of Mourning edited by Pascale-Anne Brault and Michael Naas, two outstanding translators of Derrida’s works. The English collection is published in 2001, while the French edition came out later in 2003 titled Chaque fois unique, la fin du monde. In his deconstructed eulogies, Derrida, being in accordance with ‘the mission impossible’ of deconstruction, namely, ‘to allow the coming of the entirely other’ in (...) its otherness, seems to find his own voice. In my paper, I will focus on this special segment of Derrida’s death-work ; namely, on his mourning texts written for his dead friends, paying special attention to the rhetoric ‘circling around’ fidelity, friendship, and the other in his textual mourning. (shrink)

In this autoethnographic essay, I reflect on my brief personal experiences of conducting field research on ways in which way a small group of Tibetan Buddhist monks enact a monastic total institution in Ladakh, India. More specifically, I analyze my experiences in view of the relationship between dual and nondual mind, as discussed by Henry Vyner (2002) in Anthropology of Consciousness, and use this analysis to develop preliminary insights into the ways in which a Tibetan Buddhist monastery is constituted.

The question of where ghosts live can hardly be addressed without speaking of a haunted house. This essay reads Don DeLillo's novel The Body Artist, in which there is a ghost called Mr. Tuttle who haunts the house of Lauren Hartke, the body artist, as a text grafted onto Jacques Derrida's Dissemination. The essay takes as its starting point the first words spoken in DeLillo's text, ‘I want to say something but what’, a quasi-question directed to Lauren by her husband (...) Rey, in order to ask if it can ever be said what lies on the other side of ‘what’, or if it remains forever unknowable, or unheard, at an ‘infinite remove’, even if it is one's self. It is Rey's suicide, and Lauren's subsequent work of mourning, which locates DeLillo's phrase within the context of Derrida's efforts, again and again, to give words to those whose voices are absent: the lost friend, the other self, the dead. To Lauren's question, ‘What am I supposed to say?’ Derrida replies, ‘Speaking is impossible, but so too would be silence or absence’. Through the ghostly form of Mr. Tuttle, DeLillo's work tells of the various mimetisms by which the silent speaker is heard and remembered. (shrink)

This article presents Derrida as a philosopher of history by reinterpreting his De la Grammatologie. In particular, it provides a schematic reconstruction of Part II of that book from the perspective of the problem of history. My account extends work on historicity in Derrida by privileging the themes of ‘history’ and ‘diagram’ in the Rousseau part. I thereby establish a Derridean concept of history which aims at accounting for the continuities and discontinuities of the past. This is in contrast to (...) some criticism that Derrida leaves behind, or inadequately accounts for history. Derrida describes a necessarily contorted condition of relating any historical event or development to itself or to another. This historicity informs other well-known aspects of Derrida's work, like the ‘quasi-transcendental’ terms he developed. I conclude that ‘history’ is a critical element in any understanding of deconstruction, and that deconstruction entails new kinds of history, but that some axioms of current historical thought require reformation. (shrink)

The aim of this article is to highlight and discuss two problems of the biological philosophy of technology. In particular, I will analyse the work of André Leroi-Gourhan and Gilbert Simondon, and I will show that the meaning of the analogy between technical and natural objects that underlies the approach of the biological philosophy of technology remains problematic and the biological approach to technology is very effective for analysing tools and machines, but is not sufficient to describe the so-called information (...) technologies. In the last part of the article, I will argue that, in order to understand information technologies, it is necessary to integrate the biological approach to technology with a grammatological approach. I will try to show that, next to the tool and the machine, there is a third category of technical objects that can be better described using the notion of “writing” proposed by one of the masters of the so-called French Thought, Jacques Derrida. (shrink)

In the face of the ever-growing effect the actions of the present may have upon future people, most conspicuously around climate change, democracy has been accused, with good justification, of a presentist bias: of systemically favouring the presently living. By contrast, this paper will argue that the intimate relation, both quasi-ontological and normative, that Derrida's work establishes between temporality and justice insists upon another, more future-regarding aspect of democracy. We can get at this aspect by arguing for two consequences of (...) the deconstructive affirmation of sur-vivre, of the alterity of death in life. Firstly, justice is not first of all justice for the living, but intergenerational from the start. This is so because no generation coincides with itself; rather, it dies and is reborn at every moment, and so – and this is the second consequence – consists in taking turns. Affirming life as living-on means affirming that it involves exchanging life's stations, as the young become the old, and the unborn become the dead. In this sense, the justice of living-on, I will argue, shares an essential feature with democracy, whose principle of exchanging the rulers with the ruled led Derrida to characterize it in terms of the wheel. Democracy consists in the principled assent to power changing hands, a switchover life demands of every generation at every turn. This assent further requires an acceptance of the gift of inheritance without which no life can survive. But as the gift can also never be fully acknowledged or appropriated, it must be passed on to the indefinite, unknown future, in a turning that is the time of life. (shrink)

(2002). A Meditation on Knell, Funeral Melancholia and the Question of Self-Reflexivity: 'To Whom Would the Reflexive be Returned?' Angelaki: Vol. 7, No. 2, pp. 93-105.

This article develops a view of collective memory as a rhetorical practice with an intimate connection to death. Drawing on the philosophy of Jacques Derrida, I argue that memory is inhabited by death – the loss of a living presence which, nonetheless, is the very condition for recollection and communication. Memory can never retrieve presence, for time is discontinuous, disjointed rather than linear. Instead, memory is presented as an ‘impossible gift’, a form of inheritance that charges us to remember anew. (...) These motifs, I argue, are central in epideictic rhetoric which, by dwelling on the present, invites collective recognition and affirmation concerning what fundamentally is. In the genre of the eulogy, especially, the event of death is encountered by reference to the fracturing of time, the experience of the gift, and the question of inheritance. Eulogy rhetoric, I suggest, is a powerful mode of collective memory that captures much of how we remember. (shrink)

‘On the Run’ explores various aspects of ‘imagining Derrida’/‘Derrida imagining’, as well as the notion of a deconstructive imaginary. The text is at once critical, autobiographical and phantomatic or fantastical. Attention is given to Derrida's interests in cinema and ghosts, friendship and imagination, telepathy and literature. The question of a ‘deconstructive imaginary’ is pursued through discussion of Defoe's Robinson Crusoe, Wallace Stevens and Sigmund Freud, in particular. The paper concludes with a meditation on dreams about dead people.

Derrida’s thought is a dynamic dimension, a movement beyond any attempt of conclusive definition. However, is there any possibility to grasp this task of endless destabilization? This paper brings up the proposal of reading Derrida’s work from the close but at the same time aporetical relation between place and space. In this sense, we question the common understanding of space as uniform and empty continuum where place would be just a ‘limit’, a perimeter. In order to do so, we will (...) pay attention to the particular Topology that ‘translation’ illustrates in Derrida’s work, just as the reality of the spectre and mourning, stating these two dimensions as examples of Derrida’s strategy. In this sense, through translation and mourning, we manage to make out that Derrida’s work, even though cannot be summarized in a single object or idea, it might be understood as the endless question about the place of and for deconstruction, that is, about place as deconstruction of space. Thus, Derrida’s Topology may constitute a new and radical way to read not only his own work, but to question ourselves. (shrink)

The Anaximander fragment, in the readings of both Heidegger and Derrida, speaks of that which exceeds positive law. In this article, the author provides a detailed reading of Heidegger’s Der Spruch des Anaximander, showing how Heidegger relates this fragment to his thinking of Being, the latter having been ‘forgotten’ by metaphysics. Heidegger’s reading at the same time involves a contemplation of technology and of the ontological relation of beings to each other. Derrida’s reading of Heidegger’s Der Spruch highlights specifically those (...) parts of Heidegger’s text where that which precedes Being’s gathering, Being’s disjoining or dissemination, is pointed to. This disjoining, Derrida contends, speaks of the gift of a day more ancient than memory itself and ties in closely with certain aspects of the thinking of Marx. Derrida’s focus on that which precedes Being is in turn related to his contemplation of the law or condition of possibility of technology and also of that which makes possible a relation to the other as other. This condition of possibility, or the gift of Being, which Heidegger’s text also speaks of, involves a ‘higher law’ which can serve as a ‘measure’ for the evaluation, interpretation and transformation of positive law. (shrink)

Taking Jacques Derrida's multi-faceted notion of invention as a common denominator of on the one hand artistic practice and, on the other, the writing strategies of deconstruction, this article investigates the ethics of cinematic expression in a reading of two examples of twenty-first-century British filmmaking, Sally Potter's Yes and Anthony Minghella's Breaking and Entering. Both films deploy the demographically diverse cityscape of contemporary London as the stage for their respective geopolitical concerns – that is, post-9/11 in the case of Yes (...) and anxieties surrounding the EU expansion in the case Breaking and Entering – and set out to explore the destructive as well as the convivial possibilities of serendipitous encounters along cultural, social and gender divides. In so doing, they articulate a dual ontology, one which is situated in the reality of present-day politics and one which enacts the messianic structure of deconstruction. More importantly, they do so by reflecting on the transformative potential of invention, whether in the guise of literature, architecture, acrobatics, music or film. The first part of this article touches upon experimentalist features and themes in Yes and relates them to instances of Derridean ethics; the second part is more narrative-oriented and focuses on a parallel reading of Derrida's ‘On Cosmopolitanism’ and Minghella's portrayal of King's Cross, a north London area in transition, as a deconstruction of cosmopolitanism, that is an instantiation of the semi-concept of the city of refuge. (shrink)

Relying on the form of the matter, as well as the content, this article is a playful and lyrical re-thinking of Foucault’s radical move to re-claim ‘otherness’ and the ‘other’ as ‘ecstatic’ fetish. Posed as such, ‘otherness’ and the technologies of identity this implies, neither stands as an opposition to Being/being nor as the ‘that’ which does not fit in. In this move, something rather peculiar also comes to light: a politics of the ethical that no longer relies on the (...) mastery of logos. Indeed, it relies, on a radical ‘non-mastery’, a ‘beheaded mastery’; a kind of ‘coming’ without ‘be’. Could it be said that therein lies the beginning threads for a wholly different conception of freedom and democracy, not to mention the ‘I’ of this ‘me’? (shrink)