This paper argues that Jacques Derrida and Meister Eckhart both construe love as a gift that is entirely free of economic exchange, and both conclude on this basis that love cannot be grasped or identified. In my reading, Eckhart and Derrida do not rule out consideration of one’s own well-being, but their accounts do entail that calculated self-protection is external to love. For this reason, they suggest, lovers should not expect to balance love against a prudential restraint: although both demands (...) are indelible, they function at different levels. A gift of this sort is ineluctably dangerous, but Derrida and Eckhart suggest that unsettling darkness must be endured in order to preserve the possibility of love. (shrink)

If the dominant ethico-philosophical thinking of responsibility in the West is founded upon, or tied to a certain figure of death, it is because this ethical notion of responsibility is also a certain econo-onto-thanatology. Here the notion of the gift to the other is always already inscribed within a certain economic equivalence of value, or an economic determination of temporality as the geometric figure of the circle, or a certain economy of the experiences of abandonment and mourning, through which the (...) event-character of the gift, its excess and its infinite surplus is economised, reduced, repressed, or even annulled. Reading Jacques Derrida's deconstruction of this econo-onto-thanatology, and relating him to Schelling, Heidegger, Levinas and Kierkegaard, this article attempts to reveal this very complex relationship of the ethical notion of responsibility and the gift with death, in order to think anew – in the spirit of Derrida – a responsibility in relation to mourning and abandonment, and in relation to a death that does not figure in any figuration of self-figuration and self-presence, but – to speak with Maurice Blanchot – as interminable, incessant worklessness, as endless ruination and abandonment of itself. This impossible aporia of the notion of responsibility is itself a dis-figuring of death, which is also an aporia of an instant which escapes, in its event character, the geometric figure of time as circle. (shrink)

This essay is a critique of Derrida's ethical works, using Camus's last novella The Fall as a critical sounding board. It argues that a danger pertains to any such highly self-reflexive position as Derrida's: a danger that Camus identified in The Fall, and staged in his character, Jean-Baptiste Clamence. Clamence is a successful Parisian lawyer, on top of his personal and professional life, whose equanimity is troubled after he is the unwitting passer-by as a young woman suicides one night on (...) the Seine. After this time, he comes to consider all his former virtues as concealed vices. He also becomes acutely aware of what he terms the 'duplicity' of human beings as such. In Part I, I consider how Clamence's fall from innocence can be read 'with' Derrida's deconstructive registration of a 'double bind' pertaining to our standing vis-á-vis what he terms 'logocentrism'. I argue that Derrida's is a post-lapsarian philosophy, which challenges all attempts to construct closed conceptual systems that would confer an epistemic and/or moral certitude upon their expositors. In Part II, I then enter into a more detailed exposition of Derrida's 'later' works broaching friendship, the invitation, the gift, and other 'matters moral'. I read these texts in the light of an examination of what is involved, for Camus, in being a 'judge-penitent' (what Clamence in The Fall calls his profession). I suggest that Derrida runs the risk of a certain 'puritanism of difference' in his moral reflections, which defend the aporetic formulation: 'tout autre est tout autre' [every other is every bit other] (The Gift of Death). The problem is that, while Derrida's position allows one (everywhere) to say what one is against, it problematizes any affirmative moral stance. Like Clamence, who assumes the right to judge everyone else because he has subjected himself to a severe penitence, I suggest that we have a right to wonder whether Derrida's deconstructive critique of metaphysics can validate only endless repetitions of itself. Key Words: Camus • Derrida • ethics • The Fall • innocence • 'puritanism of difference. (shrink)

Beginning right at the start of the recently published volume II of Donner le temps, at its ‘bord’ or ‘boarding’ upon or out of a calmy oceanic surface, this essay examines the functions and movements of distinct surfaces in between Heidegger and Derrida. Confronting thus the tradition of the ‘Grund’, ‘Abgrund’, ‘Urgrund’, ‘Ungrund’, with the khôra-like surface of archi-writing and dissemination, the essay proposes an investigation of the philosophical and writerly space of Derrida/Heidegger not through their marks and letters, but (...) instead through the different surfaces of inscription and – simultaneous – effacement as the ‘proper places’ of thought and experience, of Destruktion and deconstruction. (shrink)

Discussions of uptake in the philosophy of language focus our attention on what role other people have in fixing the import, success, influence and social life of a speech act. The general idea in most discussions of uptake, despite their differences and disagreements, is whether and how an audience is cooperative or uncooperative when a speaker plays a critical role in how speech acts function. This essay is primarily concerned with “refusals”, or uncooperative uptakes. The essay analyzes the varieties of (...) refusal; when refusal is possible why it might be challenging and when it is ethical. It examines how and when the uptake of a speech act can constitute the pragmatic form and force of the original speech act. (shrink)

Jean-Luc Nancy is a philosopher. He is not simply a “thinker” or a “theorist”. Of course, philosophers spend their time thinking, often in the most theoretical and abs...

Toward the end of his life, Derrida complained that he had been ‘read less and less well over almost twenty years, like my religion about which nobody understands anything'. Derrida, ever the trickster and shape-shifter, had outwitted his audience and even his ardent following by declaring himself religious. This seemed to oddly contradict the universal image of Derridean deconstruction as nihilistic, relativistic, subjectivistic and anti-religious. But Derrida disagrees with this impression of his work, claiming that deconstruction has always been affirmative (...) and has always delivered a yes to life. Deconstruction, according to the late Derrida, is a way of doing truth, of keeping things authentic and open to the possibility of transcendence. He wanted to unravel and deconstruct, not to arrive at nothing, but to affirm a sacred reality that he sensed was undeconstructible. This paper is concerned with the ‘other' Derrida that few seem to know. (shrink)

This article aims to explore the philosophical approach to faith after deconstruction as manifested in the work of Jean-Luc Marion and Jean-Luc Nancy. By taking the saturated phenomenon as its focus, the analysis seeks to demonstrate that whilst Marion’s thinking proves to be an innovative re-imagining of the possibilities of phenomenology, its problematic recourse to a supplementary hermeneutic means that saturation can never be adequately applied to faith without simultaneously compromising the excessive intuition upon which it relies. The article then (...) explores whether Nancy’s suggestion that saturation be re-framed as faith can offer a viable alternative approach. Whilst the post-phenomenological modality within which Nancy operates means it may be problematic to retain the term ‘saturation’ in the exact sense Marion gives it, it is argued that Nancy’s version of saturated faith allows us to approach the binary divide between philosophy and theology from a different direction, resulting in a vision of faith that cuts across theism and atheism, destabilising them from within. Although Nancy’s thought in this area certainly does nothing to respond to persistent questions surrounding the place of institutionalized religion within secular modernity, it nevertheless serves as a powerful tool for thinking the possibilities of faith in the twenty-first century. (shrink)

. Angels in the archive: Lines into the future in the work of Jacques Derrida and Michel Serres. Cultural Values: Vol. 2, No. 2-3, pp. 206-222.

This paper explores the semiotic status of algebraic variables. To do that we build on a structuralist and post-structuralist train of thought going from Mauss and L vi-Strauss to Baudrillard and Derrida. We import these authors' semiotic thinking from the register of indigenous concepts (such as mana), and apply it to the register of algebra via a concrete case study of generating functions. The purpose of this experiment is to provide a philosophical language that can explore the openness of mathematical (...) signs to reinterpretation, and bridge some barriers between philosophy of mathematics and critical approaches to knowledge. (shrink)

This paper examines how Heidegger's view that language is poetry might provide a helpful way of understanding the nature of religious language. Poetry, according to Heidegger, is language in its purest form, in that it both reveals Being, whilst also showing the difference between word and thing. In poetry, Heidegger suggests, we come closest to the essence of language itself and encounter its strangeness and impermeability, and its revelatory character. What would be the implications for viewing religious language in this (...) way? Through examining Heidegger's view that poetry is the purest form of language, I suggest that it would also be possible to view religious language as poetry in this way, in that it also shows the transcendence of what cannot be brought to presence in language, except as concealed. Such a view of religious language does not regard it as a problematic type of language, deserving special treatment, but rather suggests that in religious language the inarticulable relationship between word and world is revealed. (shrink)

This paper explores the death of God narrative through the lens of kenosis, drawing insights from thinkers such as Marcel, Heidegger, Vattimo, and Girard. It investigates the implications of kenotic thought for contemporary religious and philosophical discourse, exploring various interpretations of kenosis, ranging from Altizer and Žižek’s apocalyptic views to Vattimo’s more hopeful perspective. Through critical engagement with these viewpoints, this paper advocates for a nuanced understanding of kenosis inspired by Hegel, one that bypasses both radical theology and excessive optimism. (...) Methodologically, this study adopts a hermeneutic approach, analyzing key texts and engaging in philosophical dialogue. This paper concludes that rethinking kenotic thought could provide a robust framework for grappling with the death of God in the contemporary context, offering avenues for ethical reflection, social critique, and speculative renewal. (shrink)

This essay attempts to offer some reflections on what it is that Jacques Derrida found uncomfortable in Martin Heidegger’s thought at the level of fundamental gestures. The region of disagreement is located in Derrida’s self-identification in a marrano register at an autographic level. This paper studies the notions of propriation and expropriation in Heidegger’s late texts and compares them to Derrida’s ‘uncanny propriation’ as a marrano notion. I offer four propositions regarding Derrida’s marranismo, which I align with Derrida’s proposal for (...) desecularization, tentatively described as a ‘messianic engagement with the khora’. I conclude with a proposal for the development of ontic models of marrano action that would antecede the theory/practice divide. (shrink)

Abstract:This paper sheds light on the relation of mutual exclusion and implication that binds Derridean ethics with the figure of God. In rupture with existing scholarship that categorizes Derridean ethics as either radically atheistic or dialectically pertaining to the Judeo-Christian moral order, I put forward the argument that Derrida’s ethical thinking is best considered outside of the dialectics of a/theism. I demonstrate that, far from plainly disproving or falling within the bounds of existing religious discourses, Derrida inaugurates a new way (...) of relating to the absolute – whether it be named God, the infinitely other, or justice – beyond nihilism and idealism, atheism and theism, or more precisely between the two, in a space Derrida refers to as the space of spectrality. I thereby hope to finally do justice to the subtlety of Derridean ethics and foster the recognition that, twenty years after Derrida’s death, his ghosts can be of use in tackling some of the greatest ethical and political challenges of the twenty-first century, including the pursuit of peaceful pluralism in the context of rampant violence carried out in the name of God. (shrink)

This paper aims to present Derrida’s reflections on Europe, which criticizes Europe’s actuality while recognizing its promise to-come. Europe in modernity has been conceptualized as sovereign heading, the only one capable of governing the world. Derrida hopes for a Europe other than a super-state, closed within its borders, and an economic alliance. He works on today’s Enlightenment, that is, on a new shape of Europe as a shoreline fit to welcome the other, following in the footsteps of Kant, who redefined (...) the right of hospitality and drafted a cosmopolitan order, but going beyond his sketch. In the global age Europe must exemplarily assume The law of hospitality as its key principle, constantly seeking to translate it into political and legal acts. (shrink)

The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida’s dialogue with Nancy in On Touching. In constant conversation with Christianity (“This is my body” or Dis-Enclosure), corporeality in Nancy can be summarised using the figure of the “exposed body (corps ex-peausé)”: a demonstration of the surface of the skin (peau) and an exposition of the self to the other in the sense of a “staging” (Corpus). In my work, (...) the concept of the “spread body,” situated between Descartes’ “extended body” and Husserl’s “lived body,” is also one of a confrontation with the “This is my body” of Christianity (The Wedding Feast of the Lamb). In confronting one with the other, it is a matter of seeing how my expansion of the body, says something different than, or articulates differently, Jean-Luc Nancy’s exposition of the body, this time drawn from the biological side though nevertheless without ceasing to be intentional. It is certainly a matter of philosophy, but also of ethics, in the possibility of describing such a body, especially in the suffering situation of palliative care (Ethics of the Spread Body). (shrink)

This article examines the impact of `exile' — as an individual or collective experience — on how human experience is theorized. The relationship between `exile' and thought is initially approached historically by looking at the period that Eric Dodds famously called the `age of anxiety' in late antiquity, i.e. the period between the emperors Aurelius and Constantine. A particular interest is in the dynamics of `empire' and the concomitant religious ferment as a context in which `exile', both experientially and symbolically, (...) appears to assume an overbearing significance. Plotinus' narrative of emanation and epistrophe as well as a group of narratives often classified as `Gnosticism' are juxtaposed as two radical examples of a wider spiritual trend at the time according to which `exile' could be considered constitutive of human experience. By way of an historical analogy, the insights gained from this study of late antiquity are then used to guide an analysis of the current, `restless' epoch, in which experiences of displacement and exile on a mass scale undermine traditional notions of belonging, thus reviving the gnostic vision of cosmic reality as an alien, exilic environment. The article concludes with a discussion of Jacques Derrida's work as an example of contemporary gnosticism, in which a `metaphysics of exile' is presented in the disguise of an `exile from metaphysics'. (shrink)

For Derrida, the ‘‘as if’’, as a regulative principle directly appropriated and modified from its Kantian context, becomes the central lynchpin for understanding, not only Derrida's philosophical system as a whole, but also his numerous seemingly enigmatic references to his ‘‘jewishness’’. Through an analysis of the function of the ‘‘as if’’ within the history of thought, from Greek tragedy to the poetry of Wallace Stevens, I hope to show how Derrida can only appropriate his Judaic roots as an act of (...) mourning that seeks to render the lost object as present, ‘‘as if’’ it were incorporated by the subject for whom this act nevertheless remains an impossibility. As Derrida discerns within the poetry of Paul Celan, bringing a sense of presence/presentness to our experiences, and as a confirmation of the subject which the human being struggles to assert, is the poetic task par excellence. It is seemingly also, if Derrida is to be understood on this point, the only option left to a humanity wherein poetry comes to express what religious formulations can no longer justify. (shrink)

Khora, as it figures in Plato’s Timaeus, as read by Jacques Derrida, poses a singular translation problem, not only for having more than one meaning, but also for having less than one. This might be thought of in terms of Derrida’s distinction between ‘polysemy’ and ‘dissemination’, in so far as any concept of translation will ‘re-mark’ a translation or reception of something like khora, the ‘all-receiving’. This means both that khora is untranslatable and that its translation into every language is (...) inevitable, which has implications for the question of a ‘politics of khora’, as becomes particularly apparent in Derrida’s unpublished seminar from 1985–86. (shrink)

Was Derrida a mama’s boy? Was he not hiding or indeed manifesting, ostensibly displaying even, mommy issues? Let us posit that Derrida had a substantial, perhaps an inordinate amount of things to say about mothers in general, about surrogate mothers too, and about his own mother in particular. Derrida did confess having taken the side of his mother. Yet, what I really want to ask is whether, from Plato to Nancy and, more obviously, from Rousseau to Freud and beyond, mothers (...) can, in fact, be confined to bounded registers of life, of Derrida’s life and, more formally, to the biographical and autobiographical (as ‘Circumfession’ and before it Spurs and The Ear of the Other might suggest). Or even to the psychoanalytical (as The Post Card and, in it, the famous fort/da scene would certainly indicate). A concern — shall I already call it a solicitude — for mothers, on Derrida’s part, might raise a distinct set of questions. (shrink)

Derrida’s thought is a dynamic dimension, a movement beyond any attempt of conclusive definition. However, is there any possibility to grasp this task of endless destabilization? This paper brings up the proposal of reading Derrida’s work from the close but at the same time aporetical relation between place and space. In this sense, we question the common understanding of space as uniform and empty continuum where place would be just a ‘limit’, a perimeter. In order to do so, we will (...) pay attention to the particular Topology that ‘translation’ illustrates in Derrida’s work, just as the reality of the spectre and mourning, stating these two dimensions as examples of Derrida’s strategy. In this sense, through translation and mourning, we manage to make out that Derrida’s work, even though cannot be summarized in a single object or idea, it might be understood as the endless question about the place of and for deconstruction, that is, about place as deconstruction of space. Thus, Derrida’s Topology may constitute a new and radical way to read not only his own work, but to question ourselves. (shrink)

Kristeva’s Revolution in Poetic Language offers a challenge to theories of the subject in psychoanalysis, linguistic theory, and in philosophy. Central to that challenge is Kristeva’s conception of negativity. In this article, I trace the development of the concept of negativity in Revolution in Poetic Language from its root in Hegel, to rejection, which Kristeva develops out of Freud. Both are crucial to the development of the material dialectic between the semiotic and the symbolic that makes up Kristeva’s subject-in-process/on trial. (...) I argue that a clearer understanding of Kristeva’s conception of negativity helps us to better appreciate the force of Kristeva’s challenge, both philosophically and politically. Finally I argue that Kristevan negativity also helps us to clarify the relation between the delimited space of politics and its conditions, laying the groundwork for constitutive exclusion as political critique and opening a space for the possibility of political re-constitutions. (shrink)

Event of Signature formulates a new philosophical problem which focuses on the handwritten signature as sign of legal identification. Author Michaela Fišerová works with three metaphysical expectations, which are shared in discourses of graphology and forensic analysis. The first expectation tends to reveal the signer's soul: a handwritten signature "naturally" mirrors the unique psychological qualities of the signer. The second expectation tends to guarantee the originality of the signer's trace: a handwritten signature proves physical contact between the signed document and (...) the writing tool "authentically" moved by the signer's hand. The third expectation tends to recognize the signer's legal identity: a handwritten signature is expected to reproduce the signer's personal style, which enables identification by legal authorities. In a methodologically inventive and semiotically-based dialogue with Derrida's deconstruction, Fišerová situates this triple expectation in the interval between life and law. Challenging coverage of this topic finally shows that none of the metaphysical expectations will ever be fulfilled in the event of manual signing. Legal uses of handwritten signature are characterized by the complex aporia of repeating the unrepeatable. (shrink)

Derrida defines différance as the “interruption of Hegelian dialectics.” Although scholars have noted that Derrida pursues his critique of Hegel by means of Hegelian concepts, the way that Derrida employs specific Hegelian concepts in his critique, such as non-positionality, self-reference, and contradiction, has not been sufficiently investigated. In this essay, I reconstruct Derrida’s critique of Hegel with special focus on the Hegelian concepts of non-positionality, self-reference, and contradiction.

Trust has been widely investigated both theoretically and empirically. Whether thought of as the result of a calculation of costs/benefits, a shared identity, or a leap of faith, there always seems to be an ‘as if’ rhetorical gesture which is ultimately needed to explain how actors move from the base of trust to expectations of trust via suspending judgment on uncertainty and fear of vulnerability to betrayal and exploitation — the actors ultimately act ‘as if’ they do not fear uncertainty (...) and vulnerability to betrayal. Yet this ‘as if’ element has remained seriously under-theorised. Drawing on Derrida's deconstruction, I propose a way of thinking this ‘as if’ element of trust. I thus argue that the decision to trust occurs in a terrain of structural undecidability. The latter is thought of as the possibility condition of trust as well as the subject of trust and a sense of responsibility for this trust. The aporiatic nature of undecidability makes this trust an auto-immune trust which obeys the tripartite logic of ‘without’ which both negates and affirms trust. (shrink)

Mass death resulting from war, starvation, and disease as well as the vicissitudes of extreme poverty and enforced sexual servitude are recognizably pandemic ills of the contemporary world. In light of their magnitude, are repentance, regret for the harms inflicted upon others or oneself, and forgiveness, proferring the erasure of the guilt of those who have inflicted these harms, rendered nugatory? Jacques Derrida claims that forgiveness is intrinsically rather than circumstantially or historically impossible. Forgiveness, trapped in a paradox, is possible (...) only if there is such a thing as the unforgivable. "Thus, forgiveness, if there is such a thing," can only exist as exempt from the law of the possible. Does this claim not open the way for hopelessness and despair? More troubling for Derrida is his concession that forgiveness may be necessary in the realm of the political and juridical. If so, is not the purity of the impossibility of forgiveness so crucial for him, contaminated? In pointing to some of the difficulties in Derrida's position, I shall appeal to Vladimir Jankelevitch's distinction between the unforgivable and the inexcusable. I shall also consider the significance of repentance in the theological ethics of Emmanuel Levinas and Max Scheler. Forgiveness, I conclude, is vacuous without expiation, a position that can be helpfully understood in the context of Judaism's analysis of purification and acquittal in the Day of Atonement liturgy. I argue that what disappears is Derrida's assurance of the impossibility of forgiveness, a disappearance that allows for hope. (shrink)

In this essay, I explore the philosophical resonance of the theological notion of Paradise in the works of Giorgio Agamben and Jacques Derrida through the question of the Paradisiacal belonging of animal life. What is the significance of Paradise for these authors? This essay undertakes the search for the meaning of Paradise by way of these thinkers’ assessment of animal or creaturely life. I argue that their differing attitudes towards the life of the animal or creature expose a fundamental discord (...) concerning exactly this issue: the significance of theology, and the myth of Paradise and the Fall. To be precise, it is argued that Derrida means to preclude the narrative of the Fall. Agamben, on the other hand, takes the animal as creature, and thus as a proper theological subject – which in this context means an Edenic exile – and accordingly as a proper subject of redemption. So, where Derrida intervenes in an encounter between human and animal prior to Paradise, Agamben joins the story after man was driven from it. In turn, this essay covers the issue of Derrida and Agamben’s messianic terminologies, the ontology of the animal as being-after, and ultimately, the conceptual understanding of Paradise. (shrink)

This essay seeks to articulate the many implications which Giorgio Agamben's work holds for theology. It aims, therefore, to examine his conceptualizations of language in light of particular historical glosses on the “name of God” and the nature of the “mystical,” as well as to highlight the political task of profanation, one of his most central concepts, in relation to the logos said to embody humanity's “religious” quest to find its Voice. As such, we see how he challenges those standard (...) notions of transcendence which have been consistently aligned with various historical forms of sovereignty. In addition, I intend to present his redefinition of revelation as solely the unveiling of the “name of God” as the fact of our linguistic being, a movement from the transcendent divine realm to the merely human world before us. By proceeding in this manner, this essay tries to close in on one of the largest theological implications contained within Agamben's work: the establishment of an ontology that could only be described as a form of “absolute” immanence, an espousal of some form of pantheism yet to be more fully pronounced within his writings. (shrink)

This essay probes into the possibility of encountering the Deleuzian sense-event in four Tom Stoppard radio plays, Moon (1964), Boot (1964), Glad (1966) and Artist Descending A Staircase (1972). Itself an incorporeal – an occurrence of the interface – the wonderful and strange protagonist of Gilles Deleuze's 1969 Logic of Sense is approached in apophatic gestures, with a glimpse at the various vestiges it has left upon texts. Within this exercise in indirection, ‘empty forms’ present themselves as the texts’ circulating (...) words. Informed by and receiving infusions from two parallel flows of Deleuzian signifiers and signifieds, these entities are singled out as the texts’ pointers that open up a cleavage where the sense-event can issue forth. (shrink)

In recent continental philosophy of religion there has been significant attention paid to the Abrahamic doctrines of creation ex nihilo and divine omnipotence, especially by deconstructive thinkers such as Derrida, Caputo, and Keller. For these thinkers, the doctrine represents a form of agency that does violence to various forms of alterity. While broadly supportive of their fundamental philosophical and ethico-political views, especially about the primordiality of alterity, I differ from them in that I argue that creation ex nihilo articulates the (...) very structure of the alterity they are concerned with. The essay proceeds through a reading of Derrida’s representation of the doctrine and a “deconstruction” of his view by means of a reading of Augustine and Anselm. (shrink)

Commentators agree that Derrida's criteria for an event were stringent: it had to be unique, unpredictable and unanticipatable; it must come as a surprise that defies all conceptualization, comprehension, appropriation. Can any historical occurrence pass such rigorous tests and be considered an event? The question now extends to whether Derrida's writings or life should constitute an event. This article traces Derrida's use of the word ‘event’ or ‘événement’ from ‘Signature Event Context’ and early readings of Nietzsche, Blanchot, and Benjamin through (...) his 2001 paper, ‘The Impossible Possibility of Saying the Event’. Analysis shows that where Derrida appears to concede the independent existence of past events this illusion is created linguistically by supplements, the future anterior tense, and speech acts. His unsuccessful attempt to exemplify ‘events’ that were distinguishable from merely ‘what happens’ assimilates them into the latter category, which he likened to ‘rain’, a banal, minimal catachresis of nothing. The implication is that what we call history resembles a Beckett-like condition of apparent insight that reverts, on reflection, to emptiness. (shrink)

This paper seeks to elucidate Jean-Luc Nancy’s and Søren Kierkegaard’s shared understanding of faith by providing a phenomenology of faith. This is accomplished by applying Nancy’s conception of experience to Kierkegaard’s Fear and Trembling, of which this paper thus offers a phenomenological reading in order to analyse the experience of faith its pseudonymous author relates. In doing so, however, we will discover that faith belongs to a realm of experience that is more fundamental than, and thus takes priority over, the (...) lived-experience of classical phenomenology: it is an experience of life as a whole that as such forms the basis on which things are subsequently lived in experience. Faith is therefore held up as the prime example of the phenomenologically primary sense of “experience”: namely, the experience in which a life lived consists, the experience of undergoing life itself; the experience that, as Nancy puts it enigmatically, is existence. Since classical phenomenology fails to think this experience that makes its lived-experiences possible, the paper suggests that phenomenology should turn itself into poetics: namely, a discourse on the creative forms of life that constitute all lived-experiences. To that end, the paper proceeds in four steps: the first step consists in an exposition of the phenomenological framework used ; the second and third steps consist in applications of said framework to Kierkegaard’s understanding of faith; the fourth and final step draws on Nancy to spell out the consequences of the preceding analysis. (shrink)

In his works Chora [Derrida, Jacques. 1993. Khôra. Paris: Galilée] and “Comment ne pas parler? Denegations” Derrida used the metaphor chora from Plato’s Timaeus to continue his struggle with the metaphysics of presence. In 1926 Nishida, the founder of the Japanese Kyōto School, used the same metaphor to create a new foundation of philosophy. Nishitani, a disciple of Nishida, developed the work of Nishida in close connection to Zen Buddhist experiences. Derrida tries to show the limits of language within the (...) game of language, whereas Nishitani starts from an experience beyond language, but tries to make it clear in the game of language. Derrida tries to destroy the limits of Western thinking within the dimension of language, whereas Nishitani tries to open up the Zen Buddhist tradition for philosophy. Both try to open up a new dimension of thinking which is not bound to substantialized truth. (shrink)

A provision of the Hungarian constitution, adopted in 2011, has renamed the state. The name changed from the Republic of Hungary to Hungary, while the form of the state has remained “republic”. The purpose of this study is to explore the meaning, significance, and several consequences of this provision. The analysis consists of three main parts. The first one gives a general overview of the functions of the names of states. It claims that not only names but also changing or (...) modifying names of states—taking place either by name-giving or by shaping convention—can serve certain functions. The second part focuses on the historical and constitutional details of renaming the Hungarian state, and summarizes the legal context that provided the framework for the 2011 renaming. The third part outlines the arguments for the change, takes a look at the official justification and actual reasons, and reveals some of the consequences of the name change in the past decade. The main contention of the paper is that the renaming of the Hungarian state that took place in 2011 lacked any overt and reasonable justification, and is best explained as an expression of anti-republican sentiment, which indicated, and partly paved the way for the transition into a kind of an authoritarian regime. Finally, the study raises a possible interpretation of the renaming of the Hungarian state in 2011, the point of which is that it adumbrated many later changes in public law and political systems. (shrink)

In Of Spirit, Jacques Derrida claims that Heidegger's attempted deconstruction of metaphysical anthropocentrism remains anthropocentric and, as such, is inherently authoritarian. This paper takes up these charges to engage with whether Derrida is justified in coming to this conclusion. To do so, it briefly outlines Heidegger's critique of anthropocentrism and subsequent re-thinking of human being in line with the question of being, before suggesting that Derrida is correct to suggest that Heidegger's thinking remains anthropocentric. It then engages with whether Heidegger's (...) defence of this continued anthropocentrism is authoritarian by engaging with the nature of what it is to be authoritarian. By engaging with three senses of authoritarianism, termed authoritarian in the sense of the author, sovereign, and dogmatic, it suggests that, while Heidegger can indeed be thought of as being authoritarian in the senses of the author and sovereign so too can Derrida, and, indeed, by pointing to passages whereby Derrida links the sovereign author to democracy, I show that, on Derrida's terms, it is possible to conclude that Heidegger's thinking is inherently democratic. I then engage with the third sense of authoritarian, authoritarian in the sense of the dogmatic, and by discussing the relationship between being and time, the nature of provisionality in Heidegger's thinking, highlighting a number of statements he makes on animality that confirm this provisionality, and pointing to the openness inherent to meditative thinking, conclude that, while Derrida is correct to maintain that Heidegger's thinking is anthropocentric and can be thought of as being authoritarian in the senses of authorship and sovereignty, it is not authoritarian in the sense of the dogmatic. (shrink)

The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida’s dialogue with Nancy in On Touching. In constant conversation with Christianit...

In his works Chora [Derrida, Jacques. 1993. Khôra. Paris: Galilée] and “Comment ne pas parler? Denegations” Derrida used the metaphor chora from Plato’s Timaeus (49a and following) to continue his struggle with the metaphysics of presence. In 1926 Nishida, the founder of the Japanese Kyōto School, used the same metaphor to create a new foundation of philosophy. Nishitani, a disciple of Nishida, developed the work of Nishida in close connection to Zen Buddhist experiences. Derrida tries to show the limits of (...) language within the game of language, whereas Nishitani starts from an experience beyond language, but tries to make it clear in the game of language. Derrida tries to destroy the limits of Western thinking within the dimension of language, whereas Nishitani tries to open up the Zen Buddhist tradition for philosophy. Both try to open up a new dimension of thinking which is not bound to substantialized truth. (shrink)

This paper orchestrates various moments in which Derrida makes recourse to the notion of anachrony – in analyses of khōra and demiurgic creation in the Timaeus and of the trace in Husserl – in order to describe a structural law according to which philosophy attempts to determine some ‘thing’ with the very categories that it makes possible and that are therefore structurally derivative, both too early and too late, in a word, anachronous.

This article attempts to critically challenge Richard Rorty's view that the work of Jacques Derrida has no political utility. For Rorty, Derrida is a ‘private ironist’ whose quest for personal perfection renders him ineffectual as a ‘public liberal’. This view, I contend, is the consequence of looking at Derrida from the perspective of critics, such as Simon Critchley, who suggest that there is a strong ethico‐political strain in deconstruction on the basis of its Levinasian import. But to ally Derrida too (...) closely with Levinas, I maintain, runs the risk of obfuscating the rich and powerful insights regarding the nature of justice and democracy which Derrida has been developing for some time now. By showing how the theme of justice in Derrida differs from that encountered in Levinas, it becomes possible for us to show how Derrida's political intuitions bear remarkable and surprising similarity to those forged by Rorty. Derrida, on this reading, appears as a Utopian liberal in the pragmatic mode, one for whom progress in the political sphere is engendered by attending to the suffering of those about us and not (pace Marx, Althusser, and Foucault) by way of large‐scale revolution. The notion that solidarity is ultimately founded on our mutual susceptibility to suffering, I argue finally, is what serves to link Rorty's idea of a ‘liberal utopia’ to Derrida's ‘new international’, a comparison which significantly undermines the contention that the latter is useful for exclusively private purposes. (shrink)

In this essay I present the postmodern phenomenological approach of Levinas, Derrida, and Marion to the problem of naming the unnameable God. For Levinas, God is never experienced directly but only as a third person whose infinity is testified to in the infinity of responsibility to the hungry. For Derrida, God remains the unnameable “wholly other” accessible only as the indeterminate term of pure reference in prayer. For Marion, God remains the object of “de-nomination” through praise. In all three, the (...) problem of naming the unnameable God is necessarily linked to how we relate to fellow human beings, to the hungry in Levinas, justice in Derrida, and charity in Marion. I also reflect on the merits and adequacy of phenomenology as such for speaking of divine transcendence. (shrink)

The book is an attempt to explore the affinities between contemporary critical theories and modernist and postmodernist American poetry. The analysis focuses on poststructuralist theories, notorious for their tendency to destabilize generic boundaries between literary, philosophical and critical discourses. The main argument and the structure of the book derive from Jacques Derrida’s essay “Che cos’è la poesia” [What is poetry?] in which the philosopher postulates the impossibility of defining poetry by comparing a poem to a hedgehog – prickly, solitary, untamed, (...) fragile and protective, rolling itself up into a ball at the first sign of danger or when in the hands of the reader-intruder. The metaphor captures thus the fragility of the relationship between poetry and the world. The book examines this relationship as exemplified by the erinaceous poetics of high modernists and their postmodernist followers In the study I employ also other oststructuralist theories, such as the notion of the text and the pleasure of the text formulated by Roland Barthes, the heories of metaphor as seen by Paul Ricoeur or Paul de Man, and gender-sensitive theories of Helene Cixous and Luce Irigaray. (shrink)

I suggest in this article that there are several aspects of the Lacanian Real that so-called Lacanian literature has not adequately addressed, or barely did so. In this pursuit, I present a deconstructing reading of a number of Lacanian texts. My deconstructive reading suggests that three key features characterize the literature on the Real. First, there always is resistance that is involved in thinking about, and in experiencing the effects of, the Real. Second, the Real is most characteristically thought of (...) in negative terms. Third, the Real is more or less thought of as a limit that cannot be transgressed. A deconstruction of these features leads to two arguments. First, I propose that the deployment of the Real as khôra within a discourse is an originary performativity which speaks of retroactively positing of a have-always-been-there Real. Second, I argue that the Real is the impossible–possible event which is at the heart of ‘saying the Real’. The deconstruction thus leads to a reconfiguration of the Real as a ‘ saying the Real (as khôra)’ qua event (in the sense of Derrida) in the discourse. (shrink)

This essay advances an interpretation of early Christian codex books, which goes beyond Catherine Pickstock’s critique of Jacques Derrida. Firstly, it summarizes Derrida’s deconstruction of Plato’s Phaedrus and introduces his understanding of writing as différance. Secondly, it outlines Pickstock’s After Writing in order to understand her emphasis upon the liturgical nature of platonic dialogue. It is here that an ambiguity emerges between writing and codex books in Pickstock’s account. In response, the insights of book historians such as Roger Chartier will (...) be brought to bear in order to understand the longer history of the codex, which sees the printing press as a continuation of the early transition from roll to codex in the second century of the Common Era. It has long been noted that Christians of this period were early and pervasive adopters of codex binding for their sacred literature. By summarizing the reasons why, it will be shown how the codex expressed early Christian religious concerns. (shrink)

This essay explores the hypothesis that Plato plays a more significant role in the late philosophy of Nishida Kitarō than is typically acknowledged. As Nishida himself said, both he and Plato attempt to articulate a metaphysics of self-determination. This requires a first principle that cannot be an arbitrary positing of some determination, and thus must be indeterminate. In the case of Nishida this is the “place of nothingness”. Nishida claims that at least some of the inspiration for his notion of (...) nothingness comes from the chōra of Plato’s Timaeus. This paper argues, however, that the “One” of the Parmenides, the Good of the Republic and mind (nous) in the Phaedo and Philebus actually offer closer affinities to Nishida’s notion of self-determining nothingness than does the chōra. The paper also argues that interesting affinities can also be found between Plato’s turning around of the soul (periagoge) and Nishida’s “event” of religious experience, as well as between Platonic eros and Nishida’s notion of love. (shrink)

This article considers martial corporeality in light of the revolution in military affairs and the transformation of strategic discourse wrought by the confluence of the digital and molecular revolutions whose ontology is that of code. It deconstructs contemporary strategic desires to make the military body intelligence incarnate through mastery of code. That desire is an ancient one. The article therefore proceeds by taking military strategic discourse’s invocation of Athena seriously, and re-reads the myth of Athena in terms of a primordial (...) war of the sign to master the undecidablity of the sign. Conflict over the sign’s un-masterable power of engendering is typically played out in sexualized terms. The will to martial corporeality as intelligence incarnate is characterized as a modern replay of this war As military embodiment pursues the intelligence incarnate offered by the information and molecular revolutions, power over life becomes allied with power over death in a complex convergence of sovereign geopolitics with a global biopolitics gone digital. Populated by martial bodies that have long been cyborgs, the digital way of war witnesses the emergence of a libidinality in thrall to Athena-the-wise as digital dominatrix. (shrink)

Since its inception in the late 2000s, supporters of Quentin Meillassoux tended to oppose the movement he founded, speculative materialism, to Derrida and the Derridean community. The arc of Meillassoux's later publications, however, did not support that opposition, especially when it became clear that he neither dismissed correlationism nor set aside literary concerns. These approaches might not be as incompatible as has been supposed. Still, if any affinity is to be established, a first need is to reassess the core of (...) Meillassoux's argument in After Finitude, which has continued to influence his publications. In this article, I attempt not merely to comment upon Meillassoux's argument, but to justify it from within, and so to demonstrate its logic. Then, using a method of re-reading that will be familiar to many, I will attempt to show how that logic reveals speculative materialism and Derridean concerns to be better treated as logical affiliates. Doing so will not presuppose agreement, but will set the stage for more thorough comparisons in future. (shrink)