Although many still see Derrida as a thinker opposed to a unified systematic meaning, there has recently been growing recognition that Derrida, in his later years, suggested that his work is not averse to formalisation. In support of this view, this paper points out that, in 1990, Derrida himself told us that his first work of 1954 reveals a “law” which impels his career, and that some responses had arisen even there. Some benefits of adopting such a common pole are (...) set out, and an interrelated “system” developed to relate the law of 1954 to the later responses, in order to help find a common, systematic base for Derrida’s oeuvre. The need to accommodate approaches which are wary of a systematic approach is nevertheless acknowledged, and possible ways of reconciling the diverse readings of Derrida’s intent and collaboratively furthering the formalisation of Derrida’s oeuvre for posterity are outlined in closing. Indo-Pacific Journal of Phenomenology, Volume 10, Edition 2, October 2010: 43-60. (shrink)

This paper examines the underlying genres of philosophy focusing especially on their pedagogical forms to emphasize the materiality and historicity of genres, texts and writing. It focuses briefly on the history of the essay and its relation to the journal within the wider history of scientific communication, and comments on the standardized forms of academic writing and the issue of 'bad writing'.

This article compares and contrasts the work of Quentin Skinner and Jacques Derrida on power and the State. It argues that despite Skinner's explicit repudiation of Derrida's method of philosophising, he has come to advocate an approach to the history of ideas that bears important and striking similarities to Derrida's thought. I attribute this intellectual gravitation toward Derrida as the logical outcome of a shared understanding on the nature of the cosmos and man's place within it-an understanding profoundly indebted to (...) the philosophy of Friedrich Nietzsche and the genealogical history of Michel Foucault. As a means to illustrate the narrowing intellectual gulf between Skinner and Derrida, I compare their respective thoughts on the nature of the modern and contemporary State, a State that both intellectuals see as emerging from a dominant western philosophical tradition that, at its core, is marked by the idea of fear. For both Skinner and Derrida this has profound consequences for the possibilities open to individuals and societies for free thought and political action. (shrink)

The relationship of Jacques Derrida and Martin Heidegger has always been complex, encompassing an entanglement of two already immense networks and suspended between proximities and distances from infinitesimal to radical. Its peculiarity is evident in the way in which Derrida strategically inscribes his own text at the margin of Heidegger's thought via a double or cl6tural gesture which articulates the paradox that Derrida writes with Heidegger against Heidegger. One of the most decisive aspects of this gesture is Derrida's deconstruction of (...) Heidegger's claims regarding the relation between technology and philosophy. In "The Question Concerning Technology" and accompanying essays Heidegger opens up a way of reflecting upon the essence of technology moves against its metaphysical determination specifying, moreover, the sense of modern technology as a mode of disclosure. These reflections are, however, ambiguous. Heidegger is one of the first thinkers to confront technology in philosophical terms, and yet he wishes to purify thinking of originary technicity. Technology remains a question, and as a question asked by thinking, thinking is not technical. In other words, thinking for Heidegger, is constituted in its very difference from technology. This is the move that must be deconstructed. In simultaneously repeating and displacing the Heideggerian scheme, Derrida elaborates an infinitesimal and decisive différance between the thinking of Being and his own notion of "writing" (Vecriture) or generalized inscription. What is crucial is that as against Heidegger's Being, the general text is not an essence of technics nor is it a proper thinking opposed to technology. On the contrary, Derrida's main point, among other things, against Heidegger, is that technology has always already begun, that it is originary with respect to the history of Being and thinking. In this study I examine the stakes and implications of Derrida's move along with a possible Heideggerian response. To begin with, I develop a reading of Heidegger's text that shows the import of technology to his work as a whole and its centrality to the thinking of Being as difference. I then take up the question of Derrida's deconstruction of Heidegger's analysis of the history of Being and its technological completion as this is played out in The Post Card and related texts. Following this I revert back to Derrida's now "classic" writings of the late 1960s and early 1970s and explore the arguments that relate contemporary developments in technology, science, and the media to the problematic of writing and to the closure of logocentric metaphysics. The preceding chapters lay the groundwork for me to then offer a critical reading of Derrida's text that locates in the articulations and assumptions of deconstruction certain indications of its belonging, within the horizon of Heidegger's thinking of technology. Finally, I offer a reading of some of Derrida's later texts with the aim of showing that and how deconstruction emerges as an affirmative technology. (shrink)

What is »justice« from the perspective of contemporary Arabo-Islamic philosophy? Kaouther Karoui takes a transcultural approach, open to different philosophical traditions, and seeks to decenter Western notions of normativity. She focuses on two thinkers, namely the feminist Fatima Mernissi (d.2015) and Mohammed Arkoun (d.2010), a well-known critic of hegemony and orthodoxy. She situates their thinking within current debates among Arab thinkers and brings their ideas into dialog with Western political philosophy. This study thus challenges stereotypes about the Arab-Islamic world by (...) discussing postcolonial theories of gender justice, political freedom, and religion. (shrink)

Addressed here are addressing and the address of the here and the there: the direction and indirection of words, whether written or spoken in prayer; but also of pictures, one of them sent to Derrida, one of them an icon presumably destined from God, and a third, the one reproduced on the cover of The Post Card from Socrates to Freud and Beyond, that attends to the difficulty of locating the threshold between the to and the from, perhaps a secular (...) version of the problem of grace—unless that is not a problem but an aporia, wherever the threshold between these has its place. The chance of oversight, επισκoπη, is addressed, and the words Derrida addressed to his friends from the grave. (shrink)