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Why dialogues? Plato's serious play

In Charles L. Griswold (ed.), Platonic Writings/Platonic Readings. University Park: Pennsylvania State University Press. pp. 110--126 (1988)

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  1. (2 other versions)On Plato’s artistic definition of philosophy: the Dialogues as the highest form of poetry.M. R. Engler - 2017 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 19:93-128.
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  • The pseudo-Lucianic Nero: Greek and Roman in dialogue.Tim Whitmarsh - 1999 - Journal of Hellenic Studies 119:142-160.
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  • The Ancient Quarrel and the Dream of Writing.Richard Smith - 2018 - Journal of Philosophy of Education 52 (4):592-608.
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  • Referential Opacity and Hermeneutics in Plato’s Dialogue Form.Richard McDonough - 2013 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 5 (2):251-278.
    The paper argues that Plato’s dialogue form creates a Quinean “opaque context” that segregates the assertions by Plato’s characters in the dialogues from both Plato and the real world with the result that the dialogues require a hermeneutical interpretation. Sec. I argues that since the assertions in the dialogues are located inside an opaque context, the forms of life of the characters in the dialogues acquires primary philosophical importance for Plato. The second section argues that the thesis of Sec. I (...)
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  • Philebus.Verity Harte - 2012 - In Associate Editors: Francisco Gonzalez Gerald A. Press (ed.), The Continuum Companion to Plato. Continuum International Publishing Group. pp. 81-83.
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