By convention epinician poetry claims to be both obligatory and truthful, yet in the intersection of obligation and truth lies a seeming paradox: the poet presents his poetry as commissioned by a patron but also claims to be unbiased enough to convey the truth. In Slater's interpretation Pindar reconciles this paradox by casting his relationship to the patron as one of guest-friendship: when he declares himself a guest-friend of the victor, he agrees to the obligation ‘a) not to be envious (...) of hisxenosand b) to speak well of him. The argumentation is:Xeniaexcludes envy, I am axenos, therefore I am not envious and consequently praise honestly’. Slater observes that envy may foster bias against the patron, but the problem of pro-patron bias remains: does the poet's friendship with and obligation to his patron produce praise at the expense of truth? (shrink)

Seaford’s recent work has revived and further substantiated a line of argument that had been developed by Marxist scholars claiming a central role for money in the genesis of philosophical thought. In a nutshell, this line of argument holds that beneath the abstractions in which philosophy breathes and with which philosophy works we can trace the real abstraction of the money form as embodiment of abstract social labour. Following this perspective, I will try to demonstrate the role money plays in (...) Plato’sRepublic, focusing on Booki. (shrink)

Thêsauroi, or treasure-houses, are small, temple-like structures, found typically in the sanctuaries of Delphi and Olympia. They were built by Greek city-states to house the dedications of their citizens. But a thêsauros is not just a storeroom: it is also a frame for costly votives, a way of diverting elite display in the interest of the city. When placed on view in a treasure-house, the individual dedication is re-contextualized: although it still reflects well on its dedicant, it also glorifies the (...) polis. Thêsauroi effectively nationalize votives—and, with them, a dedicant's privileged relationship to the gods. The sculptural program of the Siphnian treasury exemplifies these issues. (shrink)

According to Xenophon, the hetaira "gratified" her patron as a philos, participating in an aristocratic network of gift exchange , while the pornê, as her name signified, trafficked in sex as a commodity. Recent writers on Greek prostitution have acknowledged that hetaira vs. pornê may be as much a discursive opposition as a real difference in status, but still, very little attention has been paid to the period of the "invention" of this binary. Hetaira meaning "courtesan" first occurs in Herodotus (...) and does not exist in Homer: hence, the conceptual category of the hetaira is an invention of the archaic period. What needs generated the constitution of this category? And what conceptual "work" was the opposition hetaira-pornê doing in Greek culture in the period of its inception? This paper addresses these questions through a reading of fragments of archaic lyric-predominantly those of Anakreon-as well as consideration of Attic vase painting. I suggest that the hetaira-pornê opposition participates in the overarching tension between the aristocratic symposium and the public sphere in archaic Greece. Oswyn Murray has suggested that the symposium constitutes itself as a kind of anti-city with its own rules and conventions. Part of the discursive exclusion of the public sphere is the complete suppression of the city's monetarized economy from the domain of the aristocratic symposium, and it is this impulse to mystify economic relations for sex that generates the category of the hetaira within a framework of gift exchange. But if the motives for this discursive invention are economic, they are also political: the hetaira affirms and embodies the circulation of charis within a privileged elite, while the pornê figures the debased and promiscuous exchanges of the agora. (shrink)

This essay considers some problems in philosophical approaches to poetry. Philosophers’ accounts of what poetry is are often ill informed. They tend to select, as essential, features that can also characterize prose works: conspicuous metaphoricity, imagination, fictionality, and so on. This essay considers instead a humbler term: verse. It argues that the constraints on language implied by composing in verse are not only a handicap but can also be an engine for thinking. Even philosophy has sometimes been thought in verse, (...) rather than thought first in prose and versified later. This argument is explored through a brief consideration of Alexander Pope's Essay on Man. The essay concludes by questioning a further way of distinguishing between poetry and philosophy, Peter Lamarque's claim that paraphrasability is essential to philosophy but fatal to poetry. (shrink)

Conservation biology is a branch of ecology devoted to conserving biodiversity. Because this discipline is based on the assumption that knowledge should guide actions, it endows experts with a power that should be questioned. The work of the French philosopher Michel Foucault can be seen as a relevant conceptual resource to think these aspects of conservation biology through. I critically analyse the relevance of the Foucauldian approach to conservation. I argue that Foucauldian arguments are deeply ambiguous, and therefore useless for (...) conservation purposes, unless they are supplemented with unsaid assumptions that are, depending on the case at hand, untenable, or at least at odds with basic assumptions underlying conservation biology. In any case, the prospects of using the Foucauldian approach for conservation purposes are deeply undermined. However, the Foucauldian reasoning contains some ideas that can be important and useful for conservation purposes, if they are duly clarified. (shrink)

The article shows that in the Archaic period the Greeks did not possess a term equivalent to Classical ποιητής “poet-composer.” The principal meaning of the word άοιδός, often claimed to correspond to ποιητής and modern English poet, was “tuneful” or “singer” . The secondary meaning “poet working in the hexameter medium” is limited to the post-Iliadic hexameter corpus. It is furthermore possible to show that the simplex άοιδός was backderived from a compound. More specifically, following Hermann Koller, I propose that (...) the secondary meaning, being an epic innovation, developed from the compound *θεσπιαοιδός “singer of things divine,” whereas the primary meaning “singer” may go back to έπαοιδός, which later acquired the specialized meaning “singer of incantations.”. (shrink)

This paper considers the nature of time and temporality in Homer. It argues that any exploration of narrative and time must, as its central tenet, take into account the irreducible plurality and interconnectedness of memory, the event, and experienced time. Drawing on notions of complexity, emergence, and stochastic behavior in science as well as phenomenological traditions in the discussion and analysis of time, temporality, and change, and offering extensive readings of Homer, of Homeric epithets and formulae, and of key passages (...) in the Iliad and Odyssey, the paper argues against chronological notions of linear time and progression and in favor of a complex, dynamic temporal “geometries” of Homeric temporality. The paper concludes by briefly extending the argument to the wider domain of ancient time in general. Homer is a fundamental point of reference in the ancient world. Thus, Homeric temporality—irreducibly complex—affects the cognition and perception of time throughout the whole of antiquity. (shrink)

Although the Parmenidean poem is in epic meter and teems with vivid imagery, it has been translated into the domain of philosophy since its earliest reception. Within this domain it has traditionally been interpreted as the first "explicit and self-conscious argumentation" of western philosophy. Yet, the poem aims at persuasion and affect rather than logical demonstration.Working primarily with a sense of translation as critical reception, this paper articulates the history of a translational protocol that excises conceptual matter from linguistic form, (...) reducing the semantic range of the Parmenidean poem. Beginning with Zeno and Melissus, a series of translations reduces the Parmenidean poem into a vehicle for a separable and fully translatable doctrine, stabilizing and homogenizing a thinking that otherwise persists as polyvalent and heterogeneous. (shrink)

In Historied Thought, Constructed World, Joseph Margolis identifies the philosophical themes that will dominate philosophical discussions in the twenty-first century, given the recognition of the historicity of philosophical thought in the twentieth century. In what follows I examine these themes, especially cognitive intransparency, and the arguments presented in favor of them, noting the extent to which they rest on a view of language that takes a written text, and not speech, as the paradigm of language. I suggest if one takes (...) speech as a mutual embodied action in a shared space as a model for language, the theme of cognitive intransparency—and the problems it brings in its wake—does not loom so large for those of us working in the history of philosophy. I conclude by showing that if we adopt this suggestion in relation to early Greek philosophy, that is, the period in the history of historied thought in which philosophy itself emerges as a linguistic and intellectual activity, we can better understand how and why philosophy emerged as it did—in the form of dialogues by Plato. (shrink)

This essay first examines the issue of intersubjectivity in terms of the paradigmatic relationship between I and You. From a grammatical standpoint this relationship seems asymmetrical as well as necessarily performative: I implies the speech act of the speaker. You exists only as I's interlocutor. This helps us understand the very different status of what is called the 3rd person--and which would more accurately be called a nonperson, as Benveniste explains. This nonperson marks the position of a Third Party. I (...) propose to show that the same Third Party--whether a living being or a thing--is also involved in the traditional ceremonial gift-exchange relationship discussed by Marcel Mauss. The relationship between the partners in gift-exchange is mediated by the being or the thing given, which is for the recipient a token and substitute of the giver. What this involves is the reciprocal public recognition of the partners. In modern societies this function is performed by the law and by the institutions of the arbiter-State as they emerged in the formation of the Greek city. (shrink)

Ancient commentators identify several passages in the Iliad as “epigrams.” This paper explores the consequences of taking the scholia literally and understanding these passages in terms of inscription. Two tristichs spoken by Helen in the teikhoskopia are singled out for special attention. These lines can be construed not only as epigrams in the general sense, but more specifically as captions appended to an image of the Achaeans encamped on the plain of Troy. Since Helen's lines to a certain extent correspond (...) to the function and style of catalogic poetry, reading them specifically as captions leads to a more nuanced understanding of both Homeric poetry and Homeric self-reference. By contrasting Helen's “epigrams” with those of Hektor, one can also discern a gender-based differentiation of poetic functions. (shrink)

This article explores the significance of the following fact: in neither the Iliad nor the Odyssey does one find a simile about Zeus. I argue that just as ancient Near Eastern texts characterize a god by declaring it impossible to fashion a comparison about him or her, so the Homeric epics characterize Zeus by avoiding statements in the shape “Zeus (is) like X.”.

In order to get out of present day discussions between determinism and free will, creationism and evolution, bios and zoē, human existence and biological life – those dead end binaries of our present day thinking into which we have manoeuvred ourselves – we need to revisit the Ancient discussions relating to the care of the soul and human existence. I will draw together these two themes from Jan Patočka’s writings by anchor-ing them in his account of Socrates who was the (...) first to emphasise the idea of human re-sponsibility not only for thinking but also for human acting in the world. I will argue that the significant common feature – the care for our own being, our existence – brings Patočka’s reflections on the care for the soul and care for our human existence together. While, according to Patočka, the notion of the care for the soul was displaced from the philosophical reflection by the modern scientific venture, the idea of human existence is, although problematic from the scientific point of view, still a part of our experience.Para librarnos de discusiones contemporáneas entre determinismo y libre albedrío, creacionismo y evolución, bios y zoē, existencia humana y vida biológica, estos binomios, callejones de salida del pensamiento de hoy en los que nos hemos metido, tenemos que volver a escuchar las discusiones de la Antigüedad sobre el cuidado del alma y la existencia humana. Voy a recuperar estos dos temas de escritos de Jan Patočka, anclándolos en su interpretación de Sócrates, el primero en poner énfasis en la idea de responsabilidad humana no solo de su pensamiento sino también de su actuar en el mundo. Argumentaré que el significativo rasgo común, esto es, el cuidado por nuestro propio ser, nuestra existencia, es lo que une las reflexiones de Patočka sobre el cuidado del alma y el cuidado de la exitencia humana. Mientras que, según Patočka, la noción del cuidado del alma ha sido desplazada de la reflexión filosófica por la empresa científica moderna, la idea de la existencia humana, a pesar de lo problemático que puede resultar desde un punto de vista científi-co, todavía forma parte de nuestra experiencia. (shrink)

This project will track and explain the development of the Doctrine of Divine Immutability from early mythological and scriptural source material that seems to indicate that divine entities are changeable into metaphysical systems that demand a perfectly consistent deity. The Doctrine of Divine Immutability is a philosophical and theological postulate that has long been a staple of systematic metaphysics and theology, but its function in robust and fully formed systems is different than its function when it is first generated in (...) Ancient Greece and Judah. Methodologically mostly primary sources are studied and compared with interpretive help from relevant secondary sources. Once the generation and evolution of this doctrine is understood, a more holistic understanding of the relationship between religion and philosophy will be evident. Additionally a more robust understanding of Middle Platonism and 1st and 2nd century Christianity and their relationship to Roman Stoicism will be achieved. Of particular importance to contemporary scholarship this work will allow us to understand the doctrine in its context and will shield us from anachronistic readings of the arguments that are bound to cause fundamental errors in scholarship. (shrink)