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Music recognition

Psychological Review 76 (3):300-307 (1969)

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  1. Perspectivalism in the Development of Scientific Observer-Relativity.Lydia Patton - 2019 - In Martin Kusch, Johannes Steizinger, Katherina Kinzel & Niels Jacob Wildschut (eds.), The Emergence of Relativism: German Thought from the Enlightenment to National Socialism. London, New York: Routledge. pp. 63-78.
    Hermann von Helmholtz allows for not only physiological facts and psychological inferences, but also perspectival reasoning, to influence perceptual experience and knowledge gained from perception. But Helmholtz also defends a version of the view according to which there can be a kind of “perspectival truth” revealed in scientific research and investigation. Helmholtz argues that the relationships between subjective and objective, real and actual, actual and illusory, must be analyzed scientifically, within experience. There is no standpoint outside experience from which we (...)
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  • The internal representation of pitch sequences in tonal music.Diana Deutsch & John Feroe - 1981 - Psychological Review 88 (6):503-522.
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  • What child is this? What interval was that? Familiar tunes and music perception in novice listeners.J. David Smith, Deborah G. Kemler Nelson, Lisa A. Grohskopf & Terry Appleton - 1994 - Cognition 52 (1):23-54.
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  • Effect of repetition of standard and of comparison tones on recognition memory for pitch.Diana Deutsch - 1972 - Journal of Experimental Psychology 93 (1):156.
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  • Error patterns in delayed pitch comparison as a function of relational context.Diana Deutsch & Philip L. Roll - 1974 - Journal of Experimental Psychology 103 (5):1027.
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