The female characters in the Br̥hadāraṇyaka Upaniṣad have generally been interpreted by scholars in two opposing fashions: as fictional characters whose historicity can be dismissed or as representative of actual women in ancient India. Both of these interpretations, however, overlook the literary elements of this text and the role that these female characters play within the larger philosophical debate. This paper is an analysis of the various women who appear in the Br̥hadāraṇyaka and their role in this text. Close attention (...) is paid to their characterizations, their relationship to the doctrine discussed, and their functions in the larger narrative structure. The paper concludes with a discussion about the relationship of narrative to history and fundamental problems with the “woman question” based on this text. (shrink)

Throughout its history, the renowned Kaṭha Upaniṣad has often been described as being both incoherent and contradictory. The aim of this paper is to show to what purpose the text was created. To this end, it discusses the connection of the three paths to salvation depicted in the text, viz. the Agnicayana (a powerful Vedic fire-ritual), the Upaniṣadic method of self-knowledge, and yoga. The first part retraces how in the Upaniṣads, the Agnicayana was transformed into a non-material or mental ritual (...) and linked with self-knowledge. The second part analyses how the various salvation goals (heaven, the World of Brahman, liberation from rebirth) could be related to each other. First, the authors redefined the Agnicayana’s salvation goal, heaven, to make it identical with liberation. Secondly, they introduced self-knowledge and yoga as alternative and equally powerful means to the same end. In practice, however, the new and world-negating methods were implied to be superior to the costly ritual from which they had drawn their authority. Thus, the authors of the Upaniṣad were more concerned with showing continuity between different religious approaches than upholding consistency of content. (shrink)

Many modern scholars working on the early Upaniṣads translate ādeśa as substitute, substitution, or the method or rule of substitution. The choice of this translation, which often affects the larger analysis of the text, started only in 1960s, with the late Paul Thieme who understood ‘substitute/substitution’ as the meaning of ādeśa in the Pāṇinian tradition and introduced that meaning to Upaniṣadic analysis. After carefully analysing all relevant passages in their contexts—not just the individual sentences in which the term occurs, this (...) paper rejects Thieme’s idea. It shows that the term never violates its etymological meaning of indication, and argues that ādeśa by itself does not mean substitute or replacement even in the Pāṇinian tradition. This paper further shows that ādeśa, usually used in the plural, was once the formal term referring to the class/genre of Vedic teachings now known as Upaniṣads. As it analyses different passages from the early Upaniṣads, this paper touches on the origin and composition of some of the Upaniṣads, for example arguing that the original Upaniṣadic teaching of the archaic Brāhmaṇa of the Vājasaneyas begins eleven sections before the formal beginning of the Bṛhad Āraṇyaka Upaniṣad. (shrink)