In this article, I investigate the possibility of reconciling a radically disenchanted scientific naturalism in ontology with the unconditional and non-instrumental character of the moral point of view. My point of departure will be Sellars’s philosophy, which attempts to satisfy both those, seemingly unreconcilable, demands at once. I shall argue that there is a tension between those two demands that finds expression both at the theoretical and practical level, and which is not adequately resolved from a strictly Sellarsian perspective. I (...) will then develop a neo-Sellarsian framework, close to the spirit—if not the letter—of Sellars’s philosophy, which, as I will suggest, can live up to this task. This solution depends (1) on insisting on both the semantic irreducibility and explanatory reducibility of moral normativity to non-normative facts, while simultaneously acknowledging that those two dimensions mutually presuppose and support on another, and (2) on recognizing that the instrumental facets of theoretical-scientific rationality need not imply a coercive attitude toward nature, ourselves, and others. (shrink)

In his new book, Brandom offers a new argument against the viability of Sellars’ scientific naturalism. Brandom attempts to show that if the Sellarsian it scientia mensura principle is understood as implying that manifest-image objects exist only if they are identical to scientific-image objects, it is undermined by the ‘Kant–Sellars’ thesis about identity which implies that manifest-image objects cannot be identical to scientific-image objects. This conclusion can be evaded by construing the relation between manifest and scientific objects as weaker than (...) that of identity, namely as a relation between manifest-image functional roles and scientific-image realizers. But Brandom again argues that even this weaker construal of the scientia mensura thesis is in conflict with another Sellarsian argument, this time against phenomenalism. It will be argued that this is not so. I will, moreover, suggest that the ‘function-realizer’ construal of the manifest-scientific image distinction is indeed tenable—especially if the process of determining the scientific-image realizers of functional roles specified in manifest-image is understood as the culmination of a self-correcting dynamic and diachronic process of conceptual change. Finally, I will argue that while Brandom is right to point out that Sellars’ adherence to the scientia mensura principle is based on a ‘unity-of-science’ view, he is wrong to think that his argument for the contrary conclusion is successful, because Brandom’s argument does not automatically tell against a weaker ‘unity-of-science’ view according to which incommensurability of explanatory levels in science is a pragmatically indispensable yet in principle dispensable feature of empirical inquiry. (shrink)

In this paper, first, I will focus on the divergent interpretations of two leading Sellars’ scholars, Willem deVries and James O’Shea, as regards Sellars’ view on the being of the normative. It will be suggested that this conflict between deVries’ and O’Shea’s viewpoints can be resolved by the provision of an account of what I shall call ‘ready-tohand’ normativity, which incorporates the insights of both deVries’ and O’Shea’s interpretive perspectives, while at the same time going beyond them. It shall be (...) further argued that the resulting ‘phenomenologically’ informed view of normativity, pointing as it does towards its ideal integration not only with practical action but also with perceptual experience, in the form of what I shall call ‘kinaesthetic’ normativity, can potentially pose problems to Sellars’ own view on the matter, and, in particular, to the way normativity can allegedly be ‘stereoscopically fused’ with the ultimate ontology of the ideal scientific image. However, I shall argue that these problems are not unsurpassable: although the possibility of a specifically ‘kinaesthetic’ form of normativity seems to have eluded Sellars’ grasp, his views about the way in which the productive imagination is implicated in perceptual experience, do indeed provide the conceptual resources that make possible the stereoscopic fusion of this kind of normativity with the ontology of the ideal scientific image. (shrink)

Foucault and Sellars are representatives of conflicting philosophical traditions: whereas Foucault famously insisted that “power is everywhere,” Sellars proposed the well-known scientia mensura dic...

Foucault and Sellars are representatives of conflicting philosophical traditions: whereas Foucault famously insisted that “power is everywhere,” Sellars proposed the well-known scientia mensura dictum. The tension between the two perspectives seems to be so strong that each of them ends up reducing the other to an epiphenomenal illusion. In this article, I shall attempt to show that the works of Sellars and Foucault are not necessarily irreconcilable. The common ground for this dialogue is what I shall define as a historico-practical (...) conception of science. I will build this concept by tracing a connection between the Foucauldian notion of “conditions of possibility” of science and Sellars’s thesis about the “indispensability” of the manifest image. Finally, I will argue that this conception of science problematizes the clash between the scientific and manifest images of the world, paving the way for a different relationship between naturalism and critical theory. (shrink)

Philosophy & Social Criticism, Ahead of Print. Foucault and Sellars are representatives of conflicting philosophical traditions: whereas Foucault famously insisted that “power is everywhere,” Sellars proposed the well-known scientia mensura dictum. The tension between the two perspectives seems to be so strong that each of them ends up reducing the other to an epiphenomenal illusion. In this article, I shall attempt to show that the works of Sellars and Foucault are not necessarily irreconcilable. The common ground for this dialogue is (...) what I shall define as a historico-practical conception of science. I will build this concept by tracing a connection between the Foucauldian notion of “conditions of possibility” of science and Sellars’s thesis about the “indispensability” of the manifest image. Finally, I will argue that this conception of science problematizes the clash between the scientific and manifest images of the world, paving the way for a different relationship between naturalism and critical theory. (shrink)

Critical attention to Wilfrid Sellars’s “Philosophy and the Scientific Image of Man” (PSIM) has focused on the dubious Peircean optimism about scientific convergence that underwrites Sellars’s talk of “the” scientific image. Sellars’s ultimate Peircean ontology has led Willem deVries, for instance, to accuse him of being a naturalistic “monistic visionary.” But this complaint of monism misplays the status of the ideal end of science in Sellars’s thinking. I propose a novel reading of PSIM, foregrounding its opening methodological reflections. On this (...) reading, the central point of the paper is to accuse figures like Wittgenstein and Strawson, whom I call “analytical quietists,” of taking the unity of intellectual endeavor as somehow given. Such unity as is forthcoming is, Sellars tells us, a task. I conclude by noting that a structurally similar accusation of too easily presumed unity emerges at the end of the paper, against a familiar sort of anti-relativistic moral theorizing. Thus, Sellars’s conception of the task of philosophy is, at least potentially, a point of surprising ethico-political significance as well. (shrink)

Robert B. Brandom’s From Empiricism to Expressivism ranges widely over fundamental issues in metaphysics, with occasional forays into epistemology as well. The centerpiece is what Brandom calls ‘the Kant-Sellars thesis about modality’. This is ‘[t]he claim that in being able to use ordinary empirical descriptive vocabulary, one already knows how to do everything that one needs to know how to do, in principle, to use alethic modal vocabulary – in particular subjunctive conditionals’. Despite claiming descent from Sellars, Brandom defends here (...) a version of modal realism and tries hard to limit Sellarsian nominalism, all in the service of elaborating Brandom’s own version of pragmatism. The range of issues Brandom addresses defies adequate consideration in a critical notice, so I confine myself here to a single issue: What is.. (shrink)

Though Wilfrid Sellars portrayed himself as a latter-day Kantian, I argue here that he was at least as much a Hegelian. Several themes Sellars shares with Hegel are investigated: the sociality and normativity of the intentional, categorial change, the rejection of the given, and especially their denial of an unknowable thing-in-itself. They are also united by an emphasis on the unity of things—the belief that things do “hang together.” Hegel’s unity is idealist; Sellars’ is physicalist; the differences are substantial, but (...) so are the resonances. (shrink)