ABSTRACT While the first generation of the so-called Frankfurt School has promoted a strong interconnection between social critique and knowledge of the social world, contemporary critical theory seems to consider that epistemological issues don’t deserve anymore consideration. Is it really possible to elaborate a convincing theory of social critique without taking seriously the various links between social critique and knowledge? This article argues that the answer is no. In a first step, it recalls the ways in which the philosophical debate (...) about social critique is currently articulated and how it disconnects social critique and knowledge. One of the reasons for such a disconnection relates to a vision of politics as consisting mainly in a conflict between normative principles, notably between conceptions of social justice. This vision of politics is criticized in the second step of this paper. A second reason, examined in the third part of the paper, relates to the risk of epistemic violence. The shared but questionable assumption is that any sociological or philosophical attempt to produce knowledge would necessarily lead to epistemic violence rather than to epistemic empowerment. (shrink)

L’influence du pragmatisme sur l’institutionnalisme, et notamment sur celui de John Commons, est désormais largement reconnue. En particulier, l’importance des règles et des habitudes dans les comportements a été bien mis en évidence dans le pragmatisme. Néanmoins, l’importance, dans ce courant de pensée, de la réflexion sur la bifurcation ou la rupture par rapport aux règles et aux habitudes a été minorée. Cet article souligne que John Dewey, un des pragmatistes les plus influents, a pensé ces transformations. Celles-ci sont analysées (...) chez lui à partir de trois concepts clés : l’expérience, la transaction et l’émotion. Il en découle une nouvelle piste de réflexion pour l’analyse économique, en particulier dans le rôle que les émotions peuvent jouer dans les changements par rapport aux règles et aux habitudes de comportement. Dewey nous invite ainsi à une économie de l’émotion plus riche que ce que l’analyse économique n’a produit pour l’instant. Classification JEL : B25, B40. (shrink)

This paper problematizes current thinking about education by arguing that the question of educational purpose is not simply a socio-political question concerned with what the ends should be and why, but can also be understood as a structural question, concerned with the way we understand education’s directional impetus. We suggest that it is possible to understand education as something other than a curricular instrument designed to facilitate a purpose external to itself. We challenge such an instrumental view by arguing that (...) education is an emergent phenomenon with its own unique aesthetic qualities (like art or music); a phenomenon, moreover, that does not simply serve a purpose, but generates the purpose it serves. In this paper we lay down the groundwork for such a non-instrumental understanding of education by combining the notion of emergence with ideas from Cassirer’s Philosophy of Symbolic Forms, Aristotle’s teleological notion of the ‘ideal’ as self-generated and the Greek notion of ‘paideia.’ This provides an opportunity to theorise education’s directional impetus as the ongoing and open-ended coordination of three realms of human life: the symbolic, the individual and the political. Given the acute political and social dilemmas that instrumental understandings of education bring forth in multicultural, and so called ‘democratic’ and ‘inclusive’ societies, we hope that by opening the possibility to theorise education as a non-instrumental phenomenon, it may become possible to have more fruitful discussion regarding education than endless political debate about what the curricular ends of education should be. (shrink)

Established scholarship in arts education is invariably related to theories of development founded on notions of multiple intelligence and experiential learning. Yet when contemporary arts practice is retraced on a philosophical horizon, one begins to engage with other cases for learning. This state of affairs reveals art’s inherent paradox where the expectation of learning is substituted by forms of unlearning. This paper begins to approach unlearning through the tension between art and education, and more specifically through the dialectical relationship between (...) education’s dialogic agonism and art’s negative antagonism. What is here being proposed as unlearning reflects a critique of the moral-pedagogical outlooks that are imposed on art where artworks are expected to tell stories of truth through their propensity towards the beautiful and the good. In re-reading experiential anticipation as a form of anamnesis through a process of negation and contradiction, unlearning is also located in forms of mimetic scoping by which art’s assumed pedagogical trajectory turns into the opposite of recollection: as an act of willed forgetfulness. This peculiar ‘movement’ from a state of learning to that of unlearning constitutes the basis for a special kind of pedagogical aesthetics where the challenges of criticality and laterality articulate a special ‘world’ where learning may well work backwards. (shrink)