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Art and value

G. Dickie

British Journal of Aesthetics 40 (2):228-241 (2000)

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Artistic Institutions, Valuable Experiences: Coming to Terms with Artistic Value.Henry John Pratt - 2012 - Philosophia 40 (3):591-606.details Supposing that talk of a distinctively artistic type of value is warranted, what separates it from other sorts of value? Any plausible answer must explain both what is of value and what is artistic about artistically valuable properties. Flaws with extant accounts stem from neglect of one component or the other; the account offered here, based on careful attention to actual art-critical practices, brings both together. The “value” component depends on the capacity of artworks to provide subjectively valuable experiences, while (...) Download Export citation Bookmark 2 citations
Understanding the value of arts and culture.Patrycja Kaszynska & Geoffrey Crossick - 2016 - Ahrc.details Why do the arts and culture matter? What difference do they make and how do we know what difference they make? This report presents the outcomes of the AHRC’s Cultural Value Project which looked at how we think about the value of the arts and culture to individuals and to society. Download Export citation Bookmark 3 citations
Para una interpretación compleja del valor del arte.José Ramón Fabelo Corzo - 2015 - In Carles Méndez Llopis (ed.), Interdisciplinariedad en arte y diseño. Prácticas y aproximaciones teóricas. pp. 37-55.details El trabajo argumenta la necesidad de interpretar el valor del arte, por un lado, de manera concreta, como síntesis de múltiples determinaciones y tomando en consideración las condiciones de la época y lugar en las que la obra artística se inserta; y por otro lado, como producto complejo poseedor de múltiples dimensiones, diferentes pero interconectadas entre sí. Download Export citation Bookmark
Once Again, What Counts as Art?Margarita Vega - 2016 - Philosophia 44 (2):633-644.details The question of what art is and why certain objects and events are considered art is examined. In the light of John Searle’s Social Philosophy, a hybrid Institutionalist-Functionalist explanation of what counts as art is presented. However, Searle’s apparatus applied to the ontology of the work of art is not enough to answer the question of why art has the status it exhibits. The proposal is to trace back the ontology of art to the origins of the dichotomy between freedom (...) Download Export citation Bookmark
L’irrilevanza dell’avanguardia.Nick Zangwill - 2007 - Rivista di Estetica 35 (35):387-395.details 1 Arte d’avanguardia e teorie estetiche dell’arte L’arte d’avanguardia ha una particolare rilevanza per la filosofia dell’arte? Naturalmente una parte dell’arte d’avanguardia può essere intrinsecamente interessante. Forse i filosofi possono riflettere sul significato e il valore di queste opere; alcune possono addirittura sollevare delle questioni filosofiche; tuttavia, molti filosofi, sulla scorta di Arthur Danto, hanno ritenuto che da esse si possano trarre degli insegnamenti di portata piu... Download Export citation Bookmark

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