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  1. What Gives (with Derrida)?John O'Neill - 1999 - European Journal of Social Theory 2 (2):131-145.
    This article is a close reading of Jacques Derrida's critique of Marcel Mauss's classic, The Gift, and its revision through Charles Baudelaire's `The Counterfeit Coin'. Derrida's rejection of any exchange/reciprocity relation in the gift as an immoral binding of free subjects strangely accommodates the current ideological crisis of the gift in welfare societies. Moreover, Derrida's textual substitution of Baudelaire for Mauss repeats the counterfeit practice on which his own aporia of the gift is based.
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  • Poststructuralism, Complexity and Poetics.Michael Dillon - 2000 - Theory, Culture and Society 17 (5):1-26.
    Poststructuralism and complexity are plural and diverse modes of thought that share a common subscription to the `anteriority of radical relationality'. They nonetheless subscribe to a different ethic of life because they address the anteriority of radical relationality in different ways. Complexity remains strategic in its bid to become a power-knowledge of the laws of becoming. It derives that strategic ethic from its scientific interest in the implicate order of non-linearity that is said to subvert Newtonian science. Poststructuralism is poetic. (...)
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  • The time(s) of the gift.John O'Neill - 2001 - Angelaki 6 (2):41 – 48.
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  • The time of the gift.John O'Neill - 2001 - Angelaki: Journal of Theoretical Humanities 6 (2):41-48.
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  • Departing the parting – Jean-François Lyotard's 'The Hyphen' in light of Jewish and Christian studies.Jonathan Anderson - unknown
    History is narrated, as any good storyteller knows, and narration depends for its effects on our notions and metaphors. In their 2002 introduction to 'The Ways That Never Parted', Annette Yoshiko Reed and Adam H. Becker write “The notion of an early and absolute split between Judaism and Christianity, but also the 'master narrative' about Jewish and Christian history that pivots on this notion is being called into question”. In this thesis, by bringing the philosopher Jean-François Lyotard’s 'The Hyphen' into (...)
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