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  1. Virtue, Environmental Ethics, Nonhuman Values, and Anthropocentrism.Marcello Di Paola - 2024 - Philosophies 9 (1):15.
    This article discusses the encounter between virtue ethics and environmental ethics and the ways in which environmental virtue ethics confronts nonhuman axiology and the controversial theme of moral anthropocentrism. It provides a reasoned review of the relevant literature and a historical–conceptual rendition of how environmental and virtue ethics came to converge as well as the ways in which they diverge. It explains that contrary to important worries voiced by some non-anthropocentric environmental ethicists, environmental virtue ethics enables and requires a rich (...)
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  • Climate Change and Anti-Meaning.Marcello Di Paola & Sven Nyholm - 2023 - Ethical Theory and Moral Practice 26 (5):709-724.
    In this paper, we propose meaningfulness as one important evaluative criterion in individual climate ethics and suggest that most of our greenhouse gas emitting actions, behaviours, and lives are the opposite of meaningful: anti-meaningful. We explain why such actions etc. score negatively on three important dimensions of the meaningfulness scale, which we call the agential, narrative, and generative dimensions. We suggest that thinking about individual climate ethics also in terms of (anti-) meaningfulness illuminates important aspects of our troubled ethical involvement (...)
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  • Philosophical Aesthetics and the Global Environmental Emergency.Jukka Mikkonen & Sanna Lehtinen - 2022 - Environmental Values 31 (1):15-26.
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  • The Disorienting Aesthetics of Mashed-Up Anthropocene Environments.Marcello Di Paola & Serena Ciccarelli - 2022 - Environmental Values 31 (1):85-106.
    This paper describes the disorienting aesthetics of some environments that are characteristic of the Anthropocene. We refer to these environments as ‘mashed-up’ and present three dimensions – phenomenological, epistemological and narrative – of the aesthetic disorientation they can trigger. We then advance the suggestion that a rich, nuanced and meaningful aesthetic experience of mashed-up Anthropocene environments (MAEs) calls for a mode of appreciation grounded on performative practices of aesthetic familiarisation with particular MAEs and entities and processes thereof. Familiarisation with MAEs, (...)
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