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  1. Commemoration and constriction.Chong-Ming Lim - forthcoming - The Journal of Ethics:1-20.
    In analysing the problems with commemorative artefacts, philosophers have tended to focus on objectionable monuments that honour inappropriate subjects. The problems with such monuments, however, do not exhaust problems with a society’s public commemorative landscape – the totality of public commemorative artefacts in general, and the institutions involved in their creation and maintenance. I argue that a public commemorative landscape can implicate authoritative ideas, including stereotypes about people in virtue of their group membership. This contributes to what I term hermeneutical (...)
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  • Racist Monuments: The Beauty is the Beast.Ten-Herng Lai - forthcoming - The Journal of Ethics:1-21.
    While much has been said about what ought to be done about the statues and monuments of racist, colonial, and oppressive figures, a significantly undertheorised aspect of the debate is the aesthetics of commemorations. I believe that this philosophical oversight is rather unfortunate. I contend that taking the aesthetic value of commemorations seriously can help us a) better understand how and the extent to which objectionable commemorations are objectionable, b) properly formulate responses to aesthetic defences of objectionable commemorations, and c) (...)
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  • How Public Statues Wrong: Affective Artifacts and Affective Injustice.Alfred Archer - 2024 - Topoi 43 (3):809-819.
    In what way might public statues wrong people? In recent years, philosophers have drawn on speech act theory to answer this question by arguing that statues constitute harmful or disrespectful forms of speech. My aim in this paper will be add a different theoretical perspective to this discussion. I will argue that while the speech act approach provides a useful starting point for thinking about what is wrong with public statues, we can get a fuller understanding of these wrongs by (...)
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  • Honouring and Admiring the Immoral: an ethical guide. Drawing the Line: What to Do with the Work of Immoral Artists from Museums to the Movies. [REVIEW]Daisy Dixon - 2023 - Philosophical Quarterly 73 (3):831-837.
    I write this while listening to Michael Jackson's Beat It (1982). The song fills me with joy, confidence, and nostalgia. As well as being a musical marvel, it t.
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  • Bearing Witness and Creative Activism.Sondra Bacharach - 2023 - Journal of Aesthetics and Art Criticism 81 (2):153-163.
    In this article, I explore the relationship between witness-bearing arts as a form of creative activism designed to respond to social injustices. In the first section, I present some common features of bearing witness, as conceptualized within media studies and journalism. Then I explain how artworks placed in the streets can bear witness in a similar way. I argue that witness-bearing art transmits knowledge about certain unjust and harmful events, which then places a moral burden or responsibility on the viewer. (...)
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  • In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold.Ted Nannicelli - 2022 - British Journal of Aesthetics 62 (4):567-576.
    As James Harold notes in his generous and thoughtful commentary on Artistic Creation and Ethical Criticism (ACEC) (2020), there is much on which we agree, inclu.
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