In an ordinary interaction, communicants have various, mostly unconscious goals which reflect their interactional, social and personal needs. In these interactions, people’s minds try to find a balance between reaching these goals and consuming cognitive energy. If a speaker puts too little effort into speech production, she risks not achieving her communicative goals. This is especially typical when the atmosphere is relaxed, a good example of which is family discourse. An analysis of recorded conversations shows that there are certain regular (...) manifestations of risk-taking in family discourse, such as expressing immature thoughts, raising a large variety of topics and overguessing. A substantial amount of risk-taking in family discourse is in one way or another connected with false confidence in the interlocutors’ common ground. Family members know each other well, which results in an overestimation of the similarity of their understanding of words and objects. This attitude leads them to use cryptic, hard-to-comprehend speech. Quick, everyday interactions are mostly automated, and the speakers do not recognise that their speech is full of implicitness and underdeterminacy. (shrink)

In this study, we investigate the expression of speed—one of the principal dimensions of manner—in relation to the expression of space in Estonian, a satellite-framed and morphology-rich language. Our multivariate and extensive corpus analysis is informed by asymmetries attested in languages with regard to expressing space (thegoal-over-sourcebias) and speed (thefast-over-slowbias) where we attempt to explicitly link the two. We demonstrate moderate speed effects in the data in that fast motion verbs tend to combine with Goal, and slow motion verbs with (...) Location and Trajectory expressions, making verbs of fast motion similar to goal verbs in their clausal behaviour. We also show that semantic congruency (i.e., expressing semantic information repeatedly in motion clauses) overrides thegoal-over-sourcebias. That is, although verbs also occur in diverse patterns, they often combine with semantic units that mirror their meaning: goal verbs tend to combine with Goal, source verbs with Source, and manner verbs with Manner expressions. Such semantic congruency might serve as a tool for construal and, thus, is an important issue for future research. (shrink)

This paper offers a renewed construction grammar analysis of linguistic constructions in a diachronic perspective. The present theory, termedAgentive Cognitive Construction Grammar(AgCCxG), is informed byactive inference(AIF), a process theory for the comprehension of intelligent agency. AgCCxG defends the idea that language bear traces of non-linguistic, bodily-acquired information that reflects sémiotico-biological processes of energy exchange and conservation. One of the major claims of the paper is that embodied cognition has evolved to facilitate ontogenic mental alignment among humans. This is demonstrated by (...) the results of a corpus study in which the patterns of association between verbs, the particle UP and argument structure in Old and Middle English have been studied. The conclusion is that, similar to biological systems, the linguistic sign system displays patterns of equilibrium and non-equilibrium. In other words, while in Old English usage near equilibrium was reached through the use of a conservative set of constructional semiotic templates (attachment patterns), associated with motor modalities, Middle English displays high rates of randomness resulting in a less stable, yet distinct, system of constructional attachment. (shrink)

This paper is a systematic investigation of motion expressions in programmatic music description. To address issues with defining the Source MOTION and the Target MUSIC, we utilize Gestalt models (Figure-Ground and Source-Path-Goal) while also critically examining the ontological complexity of the Target MUSIC. We also investigate music motion descriptions considering the role of the describer’s perspective and communicative goals. As previous research has demonstrated, an attentional Goal-bias is common in physical motion description, yet this has been found also to lessen (...) due to audience accommodation effects. We investigate whether this also occurs in music description. Using cognitive linguistic frameworks, we conducted an analysis of 21 English speakers’ written descriptions of dynamic orchestral excerpts. All participants gave a description of one excerpt reporting their own personal experiences and the other excerpt reporting the events of the excerpt for a fictional future participant. We find that addressee accommodation shapes the choice of the ontological types of Figures used from being more subjective and creative in describing music for oneself versus being more objective in describing music for others. However, our investigation does not find sufficient evidence for a Goal-bias in music like there is in physical motion event descriptions. (shrink)