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Postmodernism and Popular Culture: A Cultural History

Cambridge University Press (1994)

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  1. Carnivalesque humor, emotional paradoxes, and street protests in Thailand.Janjira Sombatpoonsiri - 2016 - Diogenes 63 (1-2):76-88.
    Conventional wisdom has it that street protests are typically driven by rage due to grievances perceived to inflict on a group. This emotive atmosphere can shape protest methods to be vandalistic to the point where armed attacks against targeted opponents are justified. This paper suggests that rage-influenced struggle can be counterproductive as it obstructs a movement from building a coalition board enough to challenge the ruling elites it opposes. This paper argues that carnivalization of protests can prevent this setback in (...)
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  • Repetition and difference: Lefebvre, le corbusier and modernity's (im)moral landscape.Mick Smith - 2001 - Ethics, Place and Environment 4 (1):31 – 44.
    If, as Lefebvre argues, every society produces its own social space, then modernity might be characterized by that (anti-)social and instrumental space epitomized and idealized in Le Corbusier's writings. This repetitively patterned space consumes and regulates the differences between places and people; it encapsulates a normalizing morality that seeks to reduce all differences to an economic order of the Same. Lefebvre's dialectical conceptualization of 'difference' can both help explain the operation of this (im)moral landscape and offer the possibility of alternative (...)
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  • Repetition and difference: Lefebvre, le corbusier and modernity's (im)moral landscape: A commentary.Neil Maycroft - 2002 - Ethics, Place and Environment 5 (2):135 – 144.
    . Repetition and Difference: Lefebvre, Le Corbusier and Modernity's moral Landscape: A Commentary. Ethics, Place & Environment: Vol. 5, No. 2, pp. 135-144.
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  • On the Social Construction of Moral Universals: The `Holocaust' from War Crime to Trauma Drama.Jeffrey C. Alexander - 2002 - European Journal of Social Theory 5 (1):5-85.
    The following is simultaneously an essay in sociological theory, in cultural sociology, and in the empirical reconstruction of postwar Western history. Per theory, it introduces and specifies a model of cultural trauma - a model that combines a strong cultural program with concern for institutional and power effects - and applies it to large-scale collectivities over extended periods of time. Per cultural sociology, the essay demonstrates that even the most calamitous and biological of social facts - the prototypical evil of (...)
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