This paper explores Rabih Alameddine’s debut novel, Koolaids, from a queer a/theological perspective. It has been read as portraying an exilic in-betweenness and this paper looks at how this indeterminacy manifests in the text’s relationships to sexuality and Scripture. It argues that Alameddine dissects the stability of sexual norms and desires, and effectively queeries all compulsions to identify. It also discusses how Alameddine rereads and returns to Scripture, whilst rebuking blind faith in anything, and suggests that whilst his own relationship (...) to theologies may be non-committal and ambiguous, the text embodies and exposes multiple possibilities for reconciling queerness of all kinds with Divine and self acceptance. It concludes with the suggestion that Koolaids can be read as offering myriad resources for theological reflection, resources that are at once a/theological, queerly positioned, and ever-open to diverse theological dreamscapes. (shrink)

:This article focuses on historical queer cultural geographies of masculinities and to do so it focuses on two cases/places. The first is an archival case/place: a partial assembly of documents of beats and their uses during and in the wake of Gay Liberation in Australia. The second is a literary case/place: Thomas Mann's Death in Venice, a canonical twentieth-century imbrication of male homosexuality and geography. This article will seek to rationalize the mobilization of these two asynchronous cases/places through the insights (...) that both afford, when brought together, for elaborating contributions that queer readings of Nietzsche can make to contemporary queer theories of space, time and masculinities. (shrink)

This article develops a view of collective memory as a rhetorical practice with an intimate connection to death. Drawing on the philosophy of Jacques Derrida, I argue that memory is inhabited by death – the loss of a living presence which, nonetheless, is the very condition for recollection and communication. Memory can never retrieve presence, for time is discontinuous, disjointed rather than linear. Instead, memory is presented as an ‘impossible gift’, a form of inheritance that charges us to remember anew. (...) These motifs, I argue, are central in epideictic rhetoric which, by dwelling on the present, invites collective recognition and affirmation concerning what fundamentally is. In the genre of the eulogy, especially, the event of death is encountered by reference to the fracturing of time, the experience of the gift, and the question of inheritance. Eulogy rhetoric, I suggest, is a powerful mode of collective memory that captures much of how we remember. (shrink)

In this article we focus upon the embodiment of vulnerability as an area in which medicine, society and the humanities can be profitably conjoined. We illustrate our argument with two interrelated case studies of narratives of the embodiment of ageing and longevity. First, we draw upon Leoš Janáček’s opera The Makropulos Case (1926) as a locus for debates about human longevity. Second, we discuss 70-year-old Janáček’s decade of unrequited love for a woman 37 years younger than himself, through an examination (...) of their intimate letters. We suggest that both the opera and elements of Janáček’s biography illuminate the passionate emotions that are often hidden behind ‘the mask of ageing’. Finally, we propose that a focus on the embodiment of vulnerability is a productive catalyst for research on narratives of ageing. (shrink)

This article explores the way that senile dementia is represented in contemporary culture, with particular reference to texts which narrate the experience of caring for a parent or spouse with one form of the illness. These narratives raise problematic issues about the materiality of the body and its relation to individual identity, and the unstable relationship between memory and identity in postmodern culture, by drawing on the actual experience of bodily dependency and disorientating memory loss in dementia patients. These speculations (...) about the body, memory and the self are ultimately related in narratives of dementia to the inevitable process of aging and dying and the cultural meanings attached to it. The article places the representation of dementing illnesses within a Foucauldian narrative of surveillance and control in the discourse of aging and death in modern Western societies, redemptive views of illness in western culture and arguments about death in contemporary theory. (shrink)

Bu yazıda, ölmenin ve öldürmenin özel biçimlerinin yaşam ve ölüm arasındaki karanlık bir bölgede veyahut bulanık bir sınırda meydana geldiği gerçeğini göz önünde bulundurarak, ötenazi olgusu üzerinden, Michel Foucault ve Giorgio Agamben’in biyopolitika kavramsallaştırmaları arasında bir orta yol bulmayı deneyeceğim. Bu doğrultuda, tarihsel bir arka plan sunmanın elzem olduğuna inandığım çalışmaya, egemen iktidarın bugünkü felsefi temellerini aldığı ve teorik doğrulamalarını sağladığı mevcut hukuki-tıbbi-siyasi kompleksi anlamak için, ötenazi ve intiharın kısa bir tarihi ile başlayacak; ve iktidar ile ölüm arasındaki ilişkinin her (...) daim oldukça sorunlu olduğunu göstereceğim. İkinci olarak, Foucaultcu biyopolitika bağlamında ölümün ortadan kayboluşunun anlam[lar]ına yoğunlaşacak ve Foucault’nun düşüncesinin aksine, Batı’da yirminci yüzyılın ortalarından itibaren ölümün yeniden-keşfedilmesine benzer bir durumun gerçekleştiğini öne süreceğim. Ve nihayet makalenin üçüncü ve son kısmında, ötenazi sorunundan hareketle, Agamben’in yaşanmaya değmeyen hayat kavramını takdim ederek, Foucault’nun biyopolitika düşüncesindeki eksi[kli]ği, yani ölüm politikasını, tamamladığını ileri süreceğim. (shrink)