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  1. Artificial moral and legal personhood.John-Stewart Gordon - forthcoming - AI and Society:1-15.
    This paper considers the hotly debated issue of whether one should grant moral and legal personhood to intelligent robots once they have achieved a certain standard of sophistication based on such criteria as rationality, autonomy, and social relations. The starting point for the analysis is the European Parliament’s resolution on Civil Law Rules on Robotics and its recommendation that robots be granted legal status and electronic personhood. The resolution is discussed against the background of the so-called Robotics Open Letter, which (...)
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  • Being a Person and Acting as a Person.Grzegorz Hołub - 2008 - Forum Philosophicum: International Journal for Philosophy 13 (2):267-282.
    The article is primarily concerned with the ambiguities which surround the concept of the person. According to the philosophical tradition taking its roots from Locke's definition, personhood depends on consciousness. Therefore, “personhood” can be ascribed to different entities, and only these entities acquire a moral standing. This can entail that a human being may or may not be considered as a person, as well as higher animals and even artificial machines. Everything depends on manifest personal characteristics. In order to sort (...)
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  • Social epistemology and the brave new world of science and technology studies.Steve Fuller - 1991 - Philosophy of the Social Sciences 21 (2):232-244.
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  • To 'the possibility of computers becoming persons' (1989).Adam Drozdek - 1994 - Social Epistemology 8 (2):177 – 197.
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  • Machines as Persons?Christopher Cherry - 1991 - Royal Institute of Philosophy Supplement 29:11-24.
    I begin, as I shall end, with fictions.In a well-known tale, The Sandman, Hoffmann has a student, Nathaniel, fall in love with a beautiful doll, Olympia, whom he has spied upon as she sits at a window across the street from his lodgings. We are meant to suppose that Nathaniel mistakes an automaton for a human being. The mistake is the result of an elaborate but obscure deception on the part of the doll's designer, Professor Spalanzani. Nathaniel is disabused quite (...)
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