Let it be a network of voices... A network of voices that not only speak, but also struggle and resist for humanity.

Charles Taylor’s conception of the relationship between democracy and social creativity developed through a critical synthesis of various traditions, including the Romantic Movement and liberal political philosophy. However, it is argued that Taylor’s understanding of the implications of religion and revolution significantly differentiates his standpoint from that of pragmatism and theories of democratic creativity. Taylor’s defence of religious transcendence is shown to give rise to tensions with the latter perspective. The theorists of democratic creativity suggest that democracy originates in the (...) rupturing of religious significations and their closure of meaning. Taylor essentially inverts these arguments and perceives that the loss of transcendence may lead to a closed world structure. Taylor claims that the dilemmas of the modern immanent frame were prefigured in the French Revolution’s inability to generate an institutional form consistent with its understanding of democracy and that social creativity should be qualified in light of this historical experience. (shrink)

Culture has been at the core of many recent developments in the social sciences, particularly after the so-called ‘linguistic turn’. This has also been seeping into discussions about the relation between culture and politics. The present paper proposes a specific theoretical approach in this respect. It mobilizes Castoriadis’s concept of the ‘imaginary’, as well as those of ‘collective subjectivity’ and ‘social creativity’. It also makes use of the rich case of ‘populism’, more generally, and Peronism, more specifically, so as to (...) make clear its workings in a sociological strategy that unfolds in both the theoretical and the empirically-oriented domains. The paper offers an alternative to Alexander’s and Laclau’s approaches to culture and politics. (shrink)

This article discusses the concepts of collective subjectivity and collective causality as an alternative to methodological individualism, structuralism and functionalism. It resumes Aristotelian issues in a realist framework and applies, by way of example, its main concepts to criticize and suggest a distinct view of capabilities"" and ""freedom"" in connection with collective subjectivity.".

This article considers whether there exists today a movement of similar strength to the synthetic 'new theoretical movement' of the mid-1980s. The author argues that one main trend in sociological theory today is the notion of creativity and efforts to understand it conceptually. The contemporary growth of contingency, it is claimed, is closely related to this creative perspective. After examining Parsons's notion of 'double contingency', the article suggests that neither rationality nor normativity alone is able to dampen recognition of the (...) vicissitudes attached to both personal destinies and social evolution. The author analyses the axis of structure and action, theories of history and evolution, together with the relationship between modernity and reflexivity, in order to substantiate the claim that creativity constitutes a trend today. This trend is then related to another, the cognitive approach, and the author proposes some ideas to bring them closer. Finally, a hypothesis to explain the current stress on creativity is suggested. (shrink)