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  1. Ion.Gene Fendt - 1997 - International Studies in Philosophy 29 (4):23-50.
    This reading of Plato's Ion shows that the philosophic action mimed and engendered by the dialogue thoroughly reverses its (and Plato's) often supposed philosophical point, revealing that poetry is just as defensible as philosophy, and only in the same way. It is by Plato's indirections we find true directions out: the war between philosophy and poetry is a hoax on Plato's part, and a mistake on the part of his literalist readers. The dilemma around which the dialogue moves is false, (...)
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  • (1 other version)Plato's Ion: The Problem of the Author.Nickolas Pappas - 1989 - Philosophy 64 (249):381-389.
    Today Plato's Ion, thought one of his weaker works, gets little attention. But in the past it has had its admirers–in 1821, for example, Percy Bysshe Shelley translated it into English. Shelley, like other Romantic readers of Plato, was drawn to the Ion's account of divine inspiration in poetry. He recommended the dialogue to Thomas Love Peacock as a reply to the latter's Four Ages of Poetry: Shelley thought the Ion would refute Peacock's charge that poetry is useless in a (...)
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  • (1 other version)Plato's Ion: The Problem of the Author.Nickolas Pappas - 1989 - Philosophy 64 (249):381-389.
    Today Plato's Ion, thought one of his weaker works, gets little attention. But in the past it has had its admirers–in 1821, for example, Percy Bysshe Shelley translated it into English. Shelley, like other Romantic readers of Plato, was drawn to the Ion's account of divine inspiration in poetry. He recommended the dialogue to Thomas Love Peacock as a reply to the latter's Four Ages of Poetry: Shelley thought the Ion would refute Peacock's charge that poetry is useless in a (...)
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  • On interpreting Plato's Ion.Suzanne Stern-Gillet - 2004 - Phronesis 49 (2):169-201.
    Plato's "Ion," despite its frail frame and traditionally modest status in the corpus, has given rise to large exegetical claims. Thus some historians of aesthetics, reading it alongside page 205 of the Symposium, have sought to identify in it the seeds of the post-Kantian notion of 'art' as non-technical making, and to trace to it the Romantic conception of the poet as a creative genius. Others have argued that, in the "Ion," Plato has Socrates assume the existence of a technē (...)
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  • Methodological and Metaphilosophical Lessons in Plato's Ion.Scott Forrest Aikin - 2017 - Journal of Ancient Philosophy 11 (1):1-19.
    From a detailed overview of Socrates’ exchange with Ion, light is shed on why Socrates’ method of elenchusrequires explicit accounts of concepts at issue. Moreover, Ion’s character is shown to provide an object lesson in the tempting vice of intellectual sycophancy.
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  • On Plato’s artistic definition of philosophy: the Dialogues as the highest form of poetry.M. R. Engler - 2017 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 19:93-128.
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