In this paper, we argue that the French philosopher Henri Bergson was a hidden interlocutor in Susan Stebbing’s critique of Arthur Eddington in her Philosophy and the Physicists. First, we outline Stebbing’s critique of Eddington’s philosophical- physical writings with a particular emphasis on her case against Eddington’s account of the passage of time. Second, we provide evidence that Eddington’s philosophy is, at its core, Bergsonian and make the case that Eddington was directly influenced by Bergson’s philosophy of la durée. Third, (...) we lay out Stebbing’s critique of Bergsonism in her Pragmatism and French Voluntarism and identify important similarities with her critique of Eddington over twenty years later. In doing so, we show that it is Eddington’s Bergsonism that she is attacking. Finally, we situate Stebbing’s criticisms of both Eddington and Bergson within two wider conflicts that emerged in early twentieth century British philosophy: one between an objectively describable time of physics and subjective temporal experience, and the other between science and intuition. (shrink)

This paper reconstructs Susan Stebbing’s account of intelligent dealing with a problem and defends this account against charges that it relies on a “censurable kind” of intellectualism. This charge was made in Stebbing’s own time by Laird and Wittgenstein. Michael Kremer has recently made the case that Stebbing is also a proximate target of Gilbert Ryle’s attack on intellectualism. This paper argues that Stebbing should indeed be counted as an intellectualist since she holds that intelligent dealing with a problem requires (...) propositional thought. Yet, for Stebbing, thinking is an activity of a whole person and is enabled and constrained by their dispositions. This complex picture of a thinker enables Stebbing’s account to resist arguments targeting certain forms of intellectualism such as Ryle’s regress argument. It also helps her to respond to the charge that she overemphasizes the importance of intellectual failures. On the picture that emerges, Stebbing offers a strikingly modern epistemology that incorporates the social features of a person as well as their purely intellectual features. (shrink)