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Feeling Fantastic: Emotions and Appearances in Aristotle

In Brad Inwood (ed.), Oxford Studies in Ancient Philosophy Volume 37. Oxford University Press UK (2009)

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  1. Affect and Sensation: Plato’s Embodied Cognition.Ian McCready-Flora - 2018 - Phronesis 63 (2):117-147.
    I argue that Plato, in theTimaeus, draws deep theoretical distinctions between sensation and affect, which comprises pleasure, pain, desire and emotion. Sensation (but not affect) is both ‘fine-grained’ (having orderly causal connections with its fundamental explanatory items) and ‘immediate’ (being provoked absent any mediating psychological state). Emotions, by contrast, are mediated and coarse-grained. Pleasure and pain are coarse-grained but, in a range of important cases, immediate. TheTheaetetusassimilates affect to sensation in a way theTimaeusdoes not. Smell frustrates Timaeus because it is (...)
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  • Kinds of Self-Knowledge in Ancient Thought.Fiona Leigh - 2020 - In Self-Knowledge in Ancient Philosophy: The Eighth Keeling Colloquium in Ancient Philosophy. Oxford University Press. pp. 1-50.
    This chapter explores the topic of self-knowledge in ancient thought, asking in particular what the ancient concept (or concepts) of knowing oneself amounts to. The chapter begins by contrasting the issues which occupy ancient and contemporary discussions of self-knowledge, and the obvious points of continuity and discontinuity between the two. The author isolates two forms of self-knowledge: cognitive self-knowledge or knowledge of one’s own mental states, and dispositional self-knowledge or knowledge of one’s moral or intellectual dispositions, and traces the treatment (...)
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  • Aristotle on Shame and Learning to Be Good.Marta Jimenez - 2020 - Oxford University Press.
    This book presents a novel interpretation of Aristotle's account of how shame instils virtue, and defends its philosophical import. Shame is shown to provide motivational continuity between the actions of the learners and the virtuous dispositions that they will eventually acquire.
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  • The Stoics and their Philosophical System.William O. Stephens - 2020 - In Kelly Arenson (ed.), The Routledge Handbook of Hellenistic Philosophy. Routledge. pp. 22-34.
    An overview of the ancient philosophers and their philosophical system (divided into the fields of logic, physics, and ethics) comprising the living, organic, enduring, and evolving body of interrelated ideas identifiable as the Stoic perspective.
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  • Intelecto En Acción: Aristóteles y la Filosofía Como Forma de Vida.Alejandro Farieta-Barrera (ed.) - 2018 - Bogotá: Editorial Uniagustiniana.
    El presente libro se enfrenta al problema de cómo es posible concebir la filosofía aristotélica como una forma de vida, y no como una disciplina o profesión. Si en alguno de sus textos se pueden encontrar sus preocupaciones más vitales, sería en sus tratados prácticos, en los que defiende una filosofía de lo humano. Pero, pese a esto, Aristóteles insiste en que la filosofía, en su mayor grado, parece ser la filosofía primera a la que parece referirse con la contemplación (...)
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  • Intelecto en acción: Aristóteles y la filosofía como forma de vida.Alejandro Farieta - 2018 - Bogotá, Colombia: Editorial Uniagustiniana.
    This book faces the problem of how is it possible to conceive Aristotelian philosophy as a way of life, and not as a discipline or profession. If there are any of his texts where this concerns are to be found, it is in his practical treatises, in which he defends a philosophy of human affairs. However, Aristotle insists on the fact that philosophy, in its greatest expression, is the first philosophy, to which the idea of contemplation seems to refer to, (...)
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  • Aristotle on the Affective Powers of Colours and Pictures.Elena Cagnoli Fiecconi - 2020 - In Katerina Ierodiakonou (ed.), Colour Psychology in the Graeco-Roman World. pp. 43-80.
    Aristotle’s works on natural science show that he was aware of the affective powers of colour. At De an. 421a13, for example, he writes that hard-eyed animals can only discriminate between frightening and non-frightening colours. In the Nicomachean Ethics, furthermore, colours are the source of pleasures and delight. These pleasures, unlike the pleasures of touch and taste, neither corrupt us nor make us wiser. Aristotle’s views on the affective powers of colours raise a question about the limits he seems to (...)
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  • Images, Appearances, and Phantasia in Aristotle.Krisanna M. Scheiter - 2012 - Phronesis 57 (3):251-278.
    Abstract Aristotle's account of Phantasia in De Anima 3.3 is notoriously difficult to decipher. At one point he describes Phantasia as a capacity for producing images, but then later in the same chapter it is clear Phantasia is supposed to explain appearances, such as why the sun appears to be a foot wide. Many commentators argue that images cannot explain appearances, and so they claim that Aristotle is using Phantasia in two different ways. In this paper I argue that images (...)
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  • Phenomenology of Unclear Phantasy.Stefano Micali - 2020 - Husserl Studies 36 (3):227-240.
    Two disciplines have greatly contributed to a new understanding of phantasy and imagination in contemporary thought: phenomenology and psychoanalysis. These two different approaches to Phantasie developed almost simultaneously at the beginning of the twentieth century. The examination of Phantasie can focus on the concrete form of the phantasm as a unique object formation—or better, as scene. The attention can also be directed to the style of imagining as specific intentionality. Whereas the second line of research has been extensively studied in (...)
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