Music is often described in anthropomorphic terms. This paper suggests that if we think about music in certain ways we could think of it as conscious. Motional characteristics give music the impression of being alive, but musical motion is conventionally taken as metaphorical. The first part of this paper argues that metaphor may not be the exclusive means of understanding musical motion – there could also be literal ways. Discussing kinds of consciousness, particularly “access consciousness” (Block 1995), the second part (...) proposes ways in which music could (hypothetically) be conscious. The conclusion states that a greater understanding of the interactions of “phenomenal consciousness” and “access consciousness” is important in conceptualizing non-human consciousnesses, such as music might be conceived to be. (shrink)

Though Noë is concerned to emphasize that perceptual experiences are not per se internal representations, he does not really say why, and he is fairly quiet about what he takes intentionality and representation themselves to be. Drawing on a subsequent paper (Noë (forthcoming)), I bring out and criticize his in fact radically negative view of those fundamental mental capacities.