Our article discusses one of the most challenging phenomena in the post-communist Romanian cultural field, which concerns the fictional depiction of childhood under communism. On the one hand, this prominent topic within Romanian literature and films of the 1990s and 2000s seems to develop a nostalgic viewpoint regarding the totalitarian regime. On the other hand, both the political views expressed publicly by the authors/film directors, and the markedly ideological parts of the novels/films that thematized the childhood of the 1970s and (...) 1980s, expose explicitly anti-communist stances. Within these coordinates, our study argues that the nostalgia embedded in the respective fictional depictions does not concern the communist, but rather the capitalist Western society, which was regarded by cultures of the former Soviet bloc with desire and idealization. The so-called “Ostalgie” proves, in this respect, to be a “Westalgia”: in most post-1989 Romanian novels/films, children characters or narrators express longing not for communism, but for a Western world, which is idealized precisely as long as the totalitarian regime imposes a clear distance from it. (shrink)