While it cannot be denied that the 16th-century Reformation, which challenged papal authority and questioned the Catholic Church’s ability to define Christian moral practice in a just manner, indeed came with deep and lasting political changes, it remained a male-dominated discourse. The Reformation was arguably patriarchal and points to a patriarchal culture of subordination and oppression of women that prevailed then and is still pertinent in the church and all spheres of society today. The absence of Elmina and the silenced (...) yet loud voices and cries from the female dungeons below a Dutch Reformed Church in the upper levels of the castle in the retelling of the narrative of the Reformation leaves much to be desired and has a bearing on how black women perceive the Reformation 500 years later. The article thus problematises the Reformation through the heuristic eyes of Elmina Castle in Ghana as the genesis of the ‘dungeoning’ of black women justified by faith. The article argues that black women are reformers from the dungeons following the historical experience of reformation and the Reformed faith as racist and sexist, among other ills experienced by blacks in the Global South, with black women literally kept in the dungeons below a Reformed Church building as they were in Elmina with a biblical inscription, Psalm 138, on the threshold of its main door. This article thus points to irreconcilable contradictions maintained by the Reformed faith that continues to bury black women in the ‘dungeons’ even today. The enfleshment of black bodies in the dungeons of the Elmina Castle underneath a Reformed Church building is seen as the historical and heuristic starting point of engaging Reformed faith from a womanist perspective. (shrink)

The year 2022 marks a century since the death of Reverend John Knox Bokwe, a minister of the United Free Church of Scotland Mission in South Africa. Although little known, Bokwe was an important member of the emerging African intellectual elite towards the end of the 19th century. He demonstrated the creative tension that arises when two cultures encounter each other as he confronted and made sense of the historical meaning of modernity. He emphasised the value of his traditional culture (...) in a context where western culture was making a significant transforming impact on African life, which produced a creative tension throughout his working life in various contexts. This paper analyses his particular contribution as an active committed Christian through a number of overlapping lenses – his life in clerical work, journalism, literature, theology, education, music and his involvement in social and political issues and ministry. In all this he operated with a holistic vision. The paper offers an assessment of his life’s work using a combination of primary and secondary sources. Contribution: This article adds to the growing body of work that is derived from studies on the emergence of indigenous leadership in South Africa by looking at the life, work and Christian witness of Rev John Knox Bokwe from the perspective of the creative tension that he experienced and navigated in the varied professional and vocational perspectives he engaged in during his life. (shrink)