In what follows I raise the question of Ariadne and Dionysus for Nietzsche, including the relative size of Ariadne’s ears, as Dionysus observes at the close of “Ariadne’s Lament” [Klage der Ariadne]. Nietzsche’s references to ears invoke not only Nietzsche’s “selective” concern with having the right ears but also the question of myth and genealogical context. Reading through myth is key not only in terms of the textual, lyric tradition but also painting and sculpture, including sarcophagi in antiquity. It makes (...) all the difference to ask, as Karl Kerényi cites Nietzsche as asking: Wer weiß …was Ariadne ist? And not less: who was she to Dionysus? To this extent, Nietzsche’s concern with ears, small and long, is less incidental or furry fetish than hermeneutic attunement. (shrink)

In Book II of Xenophon’s Memorabilia the hedonist Aristippus speaks very briefly, though quite emphatically, about a kind of freedom with regards to desires, pleasures and happiness. Much of the later testimony on him suggests a similar concern. My interest here in this paper is in understanding the nature of this freedom. For both dialectical and expositional purposes, I begin with a brief examination of some of the relevant views put forth in Plato’s Gorgias and of the larger socio-philosophical contexts (...) within which they are embedded. (shrink)