ABSTRACTThis article uses Gadamer’s concept of play as a common lens through which both traditional church liturgy and imaginative evangelical practices of engaging with God can be understood. The category of play encompasses processes which exhibit a back-and-forth motion and functions in Gadamer’s aesthetics to describe the relationship between artwork and viewer. Through an aesthetics of play, Gadamer accounts for the presence of truth in art. As I demonstrate in this paper, liturgy displays the playful characteristics of artwork, allowing for (...) a theologically realist interpretation of divine presence. The final part of this paper considers the imaginative evangelical practices described by anthropologist T. M. Luhrmann, which I refer to as God-play. I argue that there is an unexpected commonality between God-play and traditional liturgy in the form of a functional similarity between the two and propose that God-play may be regarded as liturgy-like practice that has not been traditionalised. My evaluati... (shrink)