Although democratic theorists often employ musical metaphors to describe their politics, musical practices are seldom analyzed as forms of political communication. In this article, I explore how the music of social movements, what is called “movement music,” supplements deliberative democrats' concept of public discourse as rational argument. Invoking energies, motions, and voices beyond established identities and institutions anticipates a different, more musical democracy. I argue that the “women's music” of Holly Near, founder of Redwood Records and Redwood Cultural Work, exemplifies (...) this transformative power of musical sound. (shrink)

In the wake of contemporary controversies in France over feminist misandry, this article reflects on claimed hatred of men as a feminist discursive resource. I use the reception of Valerie Solanas’ SCUM Manifesto by some radical French feminists of the 1970s as a privileged case study, along with historian Colette Pipon’s study on misandry within French second-wave feminist movements and Judith Butler’s works on stigma reversal. I contend that in a seemingly paradoxical way, misandry is both an anti-feminist stigma and (...) a feminist discursive strategy: the inhibiting effects of such injurious term on feminist politics – the aggressive, castrating and hateful feminist you should at all cost avoid to become – can be managed, if not neutralized, by means of feminist misandry. From that point, I argue that claimed hatred of men can open fruitful political venues in challenging the stifling effects of respectability politics. (shrink)

Systematic analysis of 25 contemporary North American feminist memoirs reveals the significance of this kind of cultural production in the life of the women's movement. In memoir, feminists contest dominant movement narratives, recast and reclaim conventional gender stereotypes, and use their experiences to refine movement ideas and goals. Combining sociological aggregation and pattern identification and interpretivist understandings of memoir's empirical significance, this research indicates that feminists have spent considerable energy focused on transforming not just relations between women and men but (...) among women themselves. To this end, they assert that feminists must acknowledge two difficult “truths”—women are emotionally damaged, and women are not as socially capable as convention would suggest. By analyzing such arguments, this article indicates feminist memoir is a vehicle through which actors do not simply uphold but also contest movement narratives, refining or abandoning movement frames that wear thin as lived experience contradicts them. (shrink)

As third wave feminist philosophers attending graduate schools in different parts of the country, we decided to use our e-mail discussion as the format for presenting our thinking on the subject of third wave feminism. Our dialogue takes us through the subjects of postmodernism, the relationship between theory and practice, the generation gap, and the power relations associated with feminist philosophy as an established part of the academy.

This special issue is the result of concerns about the marginalized status of gender within the sociology of religion. The collection of exciting new research in this special issue advocates for the importance of a gender lens on questions of religion in order to highlight issues, practices, peoples, and theories that would otherwise not be central to the discipline. We encourage sociologists who study religion to engage more in interdisciplinary and intersectional scholarship, acknowledge developments in the global South, and develop (...) more compelling theoretical frameworks that analyze religion from a gendered perspective. Our aim is to bring religion to the attention of gender and feminist scholars and to encourage religion scholars to consider gender not just as a variable but as a social structure. We hope that both groups of scholars will consider gender and religion as mutually constitutive social categories. (shrink)

This essay examines the connections between the Miss America pageant and reality makeover television shows. We argue that televised performances of gender have shifted focus from the intensely scripted, out-of-touch Miss America to reality makeover shows that normalize cosmetic surgery as a means to become the ‘ideal’ woman. While both spectacles offer their viewers performances of femininity, these performances need to be understood as emerging from the cultural and political conditions in which they are produced. This difference in presentation of (...) the subjects of beauty pageants and makeover programmes speaks respectively to the changing role of media in the normalization of performances of femininity, as well as to the affiliation of many young women with post-feminist politics in the United States. (shrink)

This paper examines the attempt to bring together feminist and ecological concerns in the work of Isaac Balbus and Ynestra King, two thinkers who place the problem of the domination of nature at the center of contemporary liberation struggles. Through a consideration of the abortion issue (which foregrounds the relation between nature and history, and the problem of their "reconciliation") I argue against what I call their abstract pro-nature stance.

Using an analysis of child care books and parenting Web sites, this article asks if second-wave feminism’s vision of gender-neutral child rearing has been incorporated into contemporary advice on child rearing. The data suggest that while feminist understandings of gender have made significant inroads into popular advice, especially with regard to the social construction of gender, something akin to “a stalled revolution” has taken place. Children’s gender nonconformity is still viewed as problematic because it is linked implicitly and explicitly to (...) homosexuality. (shrink)

Rae Langton and Caroline West famously argued that pornography operates like a language game, in that it introduces certain views about women into the common ground via presupposition accommodation. While this pragmatic model explains how pornography has the potential to change its viewers’ beliefs, it leaves open how pornography changes people’s desires. Our aim in this paper is to show how Langton and West’s discourse theoretic account of pornography can be refined to close this lacuna. Using tools from recent developments (...) in discourse theory, we propose that pornography issues implicit directives, and thereby introduces bouletic components into the discourse. (shrink)

: Although democratic theorists often employ musical metaphors to describe their politics, musical practices are seldom analyzed as forms of political communication. In this article, I explore how the music of social movements, what is called "movement music," supplements deliberative democrats' concept of public discourse as rational argument. Invoking energies, motions, and voices beyond established identities and institutions anticipates a different, more musical democracy. I argue that the "women's music" of Holly Near, founder of Redwood Records and Redwood Cultural Work, (...) exemplifies this transformative power of musical sound. (shrink)

I am interested in exploring the usefulness and limits of traditional categories of feminist theory, such as those laid out by Alison Jaggar (1977; 1983). I begin the analysis by critically comparing various treatments of liberal feminism. I focus throughout this investigation on uncovering ways that current frameworks privilege white authors and concerns, recreate the split between theory and activism, and obscure long histories of theoretical and practical coalition and alliance work.

This article focuses on Dorothy Allison’s novel Trashto map how truth functions in the so-called ‘sexual outlaw’s’ efforts to establish a legitimate subject position within lesbian feminism. It suggests that truth is the most valued commodity in establishing that position regardless of one’s position(s) as a sexual outlaw. Sexual outlaws use truth to move from arguing that their sexuality is one of many legitimate expressions of desire to contending that they have developed a more truthful representation of the lesbian than (...) have ‘cultural’ feminists that dominated lesbian feminism in the late 1970s. (shrink)

I am interested in exploring the usefulness and limits of traditional categories of feminist theory, such as those laid out by Alison Jaggar. I begin the analysis by critically comparing various treatments of liberal feminism. I focus throughout this investigation on uncovering ways that current frameworks privilege white authors and concerns, recreate the split between theory and activism, and obscure long histories of theoretical and practical coalition and alliance work.

In this essay, I argue that contemporary democratic theory gives insufficient attention to the important contributions dissenting citizens make to democratic life. Guided by the dissident practices of activist women, I develop a more expansive conception of citizenship that recognizes dissent and an ethic of political courage as vital elements of democratic participation. I illustrate how this perspective on citizenship recasts and reclaims women's courageous dissidence by reconsidering the well-known story of Rosa Parks.

Contemporary queer interrogations of heteronormativity are fraught with the traces of feminist contestations of the intimate domains of women's `ordinary' lives during the era of the women's liberation movement. These traces remain enigmatic within contemporary theories of public affect and emotion rather than incorporated into their critiques of the present political moment. This essay argues that the work of the early women's liberationists — their attempts to bring the personal into view as the dense, affect laden, site of social reproduction (...) — can offer us a countermemory to the enduring and alluring force of the `private' domains of love and ordinary feeling in the contemporary US national public sphere. In order to hear the echoes of that moment — the time of women's liberation — in this one, the essay stages a comparative reading between two novels, Doris Lessing's A Ripple from the Storm (1958) and June Arnold's The Cook and the Carpenter: A Novel by the Carpenter (1973). Although the two novels were written over a decade apart, both have as their subject the dense and complex relations between political action, personal relationships and feelings within a (broadly conceived) feminist paradigm. By taking the risk of an odd conjunction, and reading the two novels side-by-side, the essay aims to open up the messiness and contingencies of an era in which both `the political' and `the personal' were contested terms, their meanings challenged, their domains struggled over, their practices altered and, in some cases, transformed. (shrink)

This article contends that feminism is haunted by its past, and that to be haunted means that feminists need to bear witness to the possibilities, often unrealized, of that past and to actively resist the policing and defensiveness that have marked feminism's relationship to its diverse history in recent years. It engages with the work of Terry Castle and Avery Gordon in order to make this argument, and to map out a methodology for looking for the ghosts of the recent (...) feminist past. In looking for one such ghost - the figure of the feminist-as-lesbian - the article asks, how does the trope of the apparitional in lesbian cultural visibility structure cultural memories of the second wave movement? To that end the article discusses the presence of the ghost in a recent feminist/queer study of feminist historicity and in the popular press respectively. The final section looks back to the 1980s in order to trace the connections between then and now, and, therefore, something of what the ghost wants us to remember. (shrink)

Sociological studies of culture have made significant progress on conceptual clarification of the concept, while remaining comparatively quiescent on questions of measurement. This study empirically examines internal conflicts (or “infighting”), a ubiquitous phenomenon in political organizing, to propose a “resinous culture framework” that holds promise for redirection. The data comprise 674 newspaper articles and more than 100 archival documents that compare internal dissent across two previously unstudied lesbian and gay Marches on Washington. Analyses reveal that activists use infighting as a (...) vehicle to engage in otherwise abstract definitional debates that provide concrete answers to questions such as who are we and what do we want. The mechanism that enables infighting to concretize these cultural concerns is its coupling with fairly mundane and routine organizational tasks. This mechanism affords one way to release the culture concept, understood here as collective self-definitions, from being “an amorphous, indescribable mist which swirls around society members,” as it was once provocatively described. (shrink)