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Poetic and Legal Fiction in the Aristotelian Tradition

Princeton University Press (1986)

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  1. Quintilian's Theory of Certainty and Its Afterlife in Early Modern Italy.Charles McNamara - 2016 - Dissertation, Columbia University
    This dissertation explores how antiquity and some of its early modern admirers understand the notion of certainty, especially as it is theorized in Quintilian's Institutio Oratoria, a first-century educational manual for the aspiring orator that defines certainty in terms of consensus. As part of a larger discussion of argumentative strategies, Quintilian turns to the “nature of all arguments,” which he defines as “reasoning which lends credence to what is doubtful by means of what is certain” (ratio per ea quae certa (...)
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  • Theater Makes History: Ritual Murder by Proxy in the "Mistere de la Sainte Hostie".Jody Enders - 2004 - Speculum 79 (4):991-1016.
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  • Bentham's Theory of Fictions. A "Curious Double Language".Nomi Maya Stolzenberg - 1999 - Cardozo Studies in Law and Literature 11 (2):223-261.
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  • Utilitarian conscience and legal fictions in Bentham.Dieter Paul Polloczek - 1999 - Angelaki 4 (1):81 – 98.
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  • William James and the Impetus of Stoic Rhetoric.Scott R. Stroud - 2012 - Philosophy and Rhetoric 45 (3):246.
    The relationship between William James and the stoics remains an enigma. He was clearly influenced by reading Marcus Aurelius and Epictetus throughout his career. Some work has been done on the thematic convergences between Jamesian pragmatism and stoic thought, but this study takes a different path. I argue that the rhetorical style that James uses in arguing for his moral claims in front of popular audiences can be better understood if we see it in light of the stoic style of (...)
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  • Early Greek Probability Arguments and Common Ground in Dissensus.Manfred Kraus - unknown
    The paper argues that the arguments from probability so popular in early Greek rhetoric and oratory essentially operate by appealing to common positions shared by both speaker and audience. Particularly in controversial debate provoked by fundamental dissensus they make their claim acceptable to the audience by pointing out a basic coherence or congruence of the speaker’s narrative with the audience’s own pre-established standards or standards of knowledge.
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  • The Declamatory Tradition of Normative Inquiry: Towards an Aesthetic History of Legal and Political Thought.Maksymilian Del Mar - 2019 - Jus Cogens 1 (2):151-171.
    This paper offers an example of what may be called ‘an aesthetic history of legal and political thought’. Such a task engages in theorising historically the features of aesthetic traditions that enable and further normative inquiry, i.e. an exploration of the norms and values that might contribute to the good life and the common good. The three features offered in this paper as useful to identifying such aesthetic traditions are communality and interactivity, experimentalism, and exemplarity. The paper shows how each (...)
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  • Utility, Reason and Rhetoric: James Mill's Metaphor of the Historian as Judge.Antis Loizides - 2019 - Utilitas 31 (4):431-449.
    James Mill'sHistory of British India(1817) made a rather strange claim: first-hand experience of India was not vital in writing a history – potentially, it led to false ideas about its subject-matter: eyewitnesses are susceptible to bias. The historian was thus to perform his task as a judge: sifting through various testimonies to obtain a ‘more perfect’ conception of the whole than those who witnessed its various parts. Although strange, Mill's claim does not bewilder his readers: after all, Mill was a (...)
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  • Chaînes causales et fictions dans la Poétique et dans la Rhétorique d’Aristote.Cristina Viano - 2016 - Philosophie Antique 16:131-149.
    Dans la Poétique, Aristote définit l’intrigue comme « le principe et l’âme » de la tragédie car elle a comme objet les actions humaines ; or la tragédie est l’imitation des actions et de la vie. Dans la Rhétorique, la démonstration ou enthymème est définie comme le « corps de la persuasion » ; elle est particulièrement appropriée aux discours judiciaires qui portent sur des actions accomplies dans le passé. Le discours poétique et le discours judiciaire décrivent tous les deux (...)
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