The Pātañjalayogaśāstra concludes with a description of the pinnacle of yoga practice: a state of samādhi called dharmamegha, cloud of dharma. Yet despite the structural importance of dharmamegha in the soteriology of Pātañjala yoga, the śāstra itself does not say much about this term. Where we do find dharmamegha discussed, however, is in Buddhist yogācāra, and more broadly in early Mahāyāna soteriology, where it represents the apex of attainment and the superlative statehood of a bodhisattva. Given the relative paucity of (...) Brahmanical mentions of dharmamegha in the early common era, Patañjali appears to adopt this key metaphor from a Mahāyāna context—and to revise its primary meaning from fullness to emptiness. This article traces the early elaborations of dharmamegha in Buddhist texts, and, drawing on conceptual metaphor theory, lays out four arguments that each, in part, accounts for the stark contrast in how classical yoga and yogācāra employ the superlative metaphor of dharmamegha. (shrink)

The female characters in the Br̥hadāraṇyaka Upaniṣad have generally been interpreted by scholars in two opposing fashions: as fictional characters whose historicity can be dismissed or as representative of actual women in ancient India. Both of these interpretations, however, overlook the literary elements of this text and the role that these female characters play within the larger philosophical debate. This paper is an analysis of the various women who appear in the Br̥hadāraṇyaka and their role in this text. Close attention (...) is paid to their characterizations, their relationship to the doctrine discussed, and their functions in the larger narrative structure. The paper concludes with a discussion about the relationship of narrative to history and fundamental problems with the “woman question” based on this text. (shrink)

The Harivaṃśa has usually been seen as a later addition appended to the Mahābhārata, and so the Mahābhārata has usually been understood without it. This article first introduces an alternative approach, whereby these two texts are viewed as a single whole, and justifies that approach on the basis of the details presented in Mbh 1.2. Then the Harivaṃśa’s narrative mechanics are summarized, to contextualize what follows. The main body of the article offers three kinds of answer to the title question (...) of what difference the Harivaṃśa makes to the Mahābhārata. The first answer is theological: the Harivaṃśa emphasizes the divine level of the Mahābhārata story as the story of the gods descending to help the earth. The second answer is narratological: the Harivaṃśa continues and completes the story of Janamejaya begun in Mbh 1, thus emphasizing his role for the text as a whole. The third answer is structural: if the Mahābhārata includes the Harivaṃśa then the whole text can be studied and analyzed as a macrocompositional unit. The “Mahābhārata as a whole” has been the subject of collaborative study in recent years, and this article continues that study, with regard to a fuller whole. The article, unlike that whole, is short, sketchy, and provisional. It looks forward to further and corrective studies in all the sketched areas, and more. (shrink)

This paper critically reads and analyzes the first discourse of Āruṇi and Śvetaketu in the first half of the sixth chapter of the Chāndogya Upaniṣad. It argues that, except for a few interpolated lines in VI.2 and VI.3, the entire discourse constitutes one integrated whole with a specific indicatory knowledge at its core that indicates deeper truth underlying all realities, and its characterization and twofold elaboration with reference to macro- and microcosmos. In light of two cosmogonic accounts from the JaiminīyaBrāhmaṇa (...) and some other Vedic passages, this paper argues that Āruṇi’s cosmogony originally posited asat as the primordial entity, which has not yet acquired any phenomenal form. Incidentally it also demonstrates that in this discourse the term ādeśa cannot denote a ‘method of substitution’ as proposed by Thieme and taken over since then by several scholars. (shrink)