The notion of “inherited guilt,” or ancestral fault, has played a prominent role in scholarship on ancient Greek religion and literature. Although it corresponds to no clearly circumscribed ancient concept, it has acquired something of a self-evident value in philological research. Shaped by centuries of ideological involvement with the Greek material, and by the apparently equivalent Judeo-Christian notions of corporate responsibility and original sin, the term “inherited guilt” imposes a heavy baggage of assumptions and resonances on the material it is (...) meant to describe and translate. Rather than abandoning “inherited guilt” altogether, or simply deconstructing it away, as some scholars have suggested in recent years, a new perspective grounded in a detailed understanding of its tradition is needed to make sense of the abundant and complex material at hand. A thorough engagement with the religiously charged tradition of scholarship is one of the keys to a fruitful redefinition of Greek ancestral fault. The present paper proposes to revisit the seminal discussions of the two contemporary scholars who pioneered the modern professional study of Greek religion: C.A. Lobeck and K.O. Müller. (shrink)

Cet article est une étude sur la lysis, la « libération » dionysiaque. On commence avec la suggestion que dans la description de la mania telestike dans le Phèdre 244d-245a, le meilleur candidat parmi les pratiques cultuelles dionysiaques à l’opération de soustraction résultante de la rhétorique socratique c’est la transe ménadique. Les références ménadiques accompagnent également les témoins sur Dionysos Lysios à Corinthe, Sicyone et Thèbes, mais ici les sources nous invitent à élargir l’horizon des pratiques cultuelles dionysiaques pour regarder (...) les cultes à mystère en l’honneur du dieu, notamment aux renseignements des lamelles d’or trouvées dans des sépultures des initiés. Puis, on entreprend de proposer une lecture exclusivement dionysiaque de la lamelle de Pélinna. Cette lecture prend appui sur: une analyse du texte de la lamelle ; une critique des interprétations qui mettent la lysis en rapport avec l’expiation du crime des Titans ; un examen du rôle de Perséphone ; la signification de lysis dans l’OF 350 Bernabé ; l’articulation des célèbres passages de la République où il est question des initiations avec les dynamiques de la punition différée dans les représentations grecques anciennes de la justice divine. Puis, l’article suggère que la lysis dionysiaque porte sur une délivrance non seulement après la mort, mais aussi pendant la vie des initiés. En conclusion, l’étude revient au Phèdre 245a pour mettre en contraste les transes ménadique et mystique. (shrink)

Les Petits Mystères d’Agra : des mystères orphiques à l’époque de Pisistrate. La possibilité de reconnaître dans les Petites Mystères d’Agra des mystères orphiques dès le vie siècle peut s’appuyer sur des sources littéraires et iconographiques, et faire référence au contexte historique. Cette hypothèse correspond bien à la situation socio-culturelle de l’époque des Pisistratides où l’on voit se développer les cultes de Dionysos, Déméter/Gaia/Meter et Perséphone, ainsi que des textes comme ceux que la tradition attribue à Onomacrite.The Little Mysteries of (...) Agra: Orphic Mysteries at the time of Peisistratos. The possibility of recognising Orphic elements in the Little Mysteries of Agra as early as the 6th century may be supported by evidence from literary and iconographic sources as well as from the historical context. This hypothesis ties in with the socio-cultural situation of Peisistratid times in which we can see the development of the cult of Dionysus and those of Demeter/Gaia/Meter and Persephone, and the flourishing of written texts, such as those attributed to Onomacritos. (shrink)

At the core of Plotinus’ exploration of human selfhood, lies a reference to the myth of Dionysus-Zagreus and his mirror, one of the toys the Titans used to seduce the young Dionysus. In interpreting the myth within this context, the mirror has been invariably regarded by scholars as a symbol for matter, an external surface on which the soul is projected and becomes embodied as a human individual by dispersing in the material depths. This paper challenges this established view and (...) advances a new interpretation of Plotinus’ allusion to the myth and its philosophical significance. It argues that the mirror is not a symbol for matter, but rather a symbol for the soul itself, for its power to transform itself and retain its identity in the process of becoming a human individual. The function of the mirror is thus both deceptive and protective. While the desire that the soul, deceived by the mirror, feels for its own image guides it to leave behind its original condition and unity, it is this same desire that keeps the soul within itself: protected by the Dionysian mirror, even the most dispersed soul cannot desire anything other than what it takes to be itself, hence rather than disappearing in the radical alterity of matter, soul reaffirms its identity as an individual human self. (shrink)

The man in a Thracian outfit represented on a hydria in London as eating a dead child has been interpreted either as a Titan with Zagreus or Lycurgus with his son. Neither of these interpretations seems plausible, especially in light of our present knowledge about sacrificial rules. As I argue, the image is more likely to be inspired by a story dramatized in the Lycurgeia of Aeschylus, in which an advent of Dionysus to the country ruled by Lycurgus caused an (...) epidemic of cannibalism. With much likelihood, this motif was also present in a passage — unfortunately only partially preserved — in Nonnus’ Dionysiaca (21.117–123). This mythical crisis was subsequently solved by Orpheus, which seems clear from passages in Aristophanes, Horace and Themistius, who allude to a rationalized version of this story. (shrink)