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The collected works of Norbert Elias

Dublin: University College Dublin Press (2006)

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  1. Towards a complex-figurational socio-linguistics.Albert Bastardas-Boada - 2014 - History of the Human Sciences 27 (3):55-75.
    As figurational sociologists and sociolinguists, we need to know that we currently find support from other fields in our efforts to construct a sociocultural science focused on interdependencies and processes, creating a multidimensional picture of human beings, one in which the brain and its mental and emotional processes are properly recognized. The paradigmatic revolutions in 20th-century physics, the contributions made by biology to our understanding of living beings, the conceptual constructions built around the theories of systems, self-organization and complexity, all (...)
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  • Elias and the counter-ego: personal recollections.Stephen Mennell - 2006 - History of the Human Sciences 19 (2):73-91.
    Norbert Elias (1897–1990) achieved international recognition as a major sociologist only towards the end of his long life. As a German Jewish refugee in England, he did not even gain a secure academic post (at the University of Leicester) until he was 57. Apart from his magnum opus, Über den Prozess der Zivilisation [The Civilizing Process], which was published obscurely in 1939, all his other books and most of his essays were published after his formal retirement. These personal recollections date (...)
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  • Figurational sociology and the rhetoric of post-philosophy.Stephen Dunne - 2014 - History of the Human Sciences 27 (3):76-95.
    Norbert Elias’s early work – specifically ‘Idea and Individual’ – offers a positive account of philosophy’s potential contribution towards historically oriented concrete sociological investigation. His later work, on the other hand, characterizes philosophical investigation as little more than a distraction from the myth-exposing vocation of the sociologist. This later ‘post-philosophical’ account of figurational sociology predominates today. Within this article, however, I suggest it has come to prominence through a series of dubious rhetorical strategies, most notably subtextual hearsay and disingenuous caricature. (...)
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