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  1. (1 other version)The Attentive Ear.Edvin Østergaard - 2019 - The Journal of Aesthetic Education 53 (4):49-70.
    In the article, I argue that teachers can promote their students’ audial attention, in general education as well as in science education, by drawing on musicians’ and composers’ refined listening skills. I investigate the act of listening phenomenologically by exploring listening in its multiple forms. With reference to Heidegger’s philosophy of existence, I further explore how listening constitutes our Being-in-the-world. The question whether listening to music might increase a more general readiness to audial attention is of educational interest: how can (...)
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  • (1 other version)The Attentive Ear.Edvin Østergaard - 2019 - Journal of Aesthetic Education 53 (4):49-70.
    Sounds are all around us, all the time. We constantly engage in listening: to the everyday sounds of the streets on our way to work, to the black-bird's soft nattering an early morning in spring, to a teacher's tiresome talk. Nature speaks to us with a thousand voices, and a place sounds of its inhabitants. Normally, we take our ability to hear as a matter of course; hearing is an implicit and mostly unreflected engagement in our daily activities. As educators, (...)
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  • Understanding musical experience in Chilean music curriculum.Patricio Vega Gómez - 2020 - Ixtli 7 (14):203-217.
    Despite the fact that “the curriculum seemed largely determined by the ‘philosophy’, that is to say, the theoretical perspective of individual teachers”, it also mediates and fosters perspectives, questions and approaches in teachers. In this sense, the objective of this paper is to clarify and criticize the philosophical understanding of the musical experience established by the Chilean music curriculum, collaborating to solve the lack of study and research on these bases, as well as revealing its implications for Chilean music teachers. (...)
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