Samuel Alexander was an important figure in the rise of realism in the early twentieth century. Alongside Moore and Russell he forwarded the cause of realism in England with a systematic exposition of a realist metaphysics in his magnum opus Space, Time and Deity (1920). This volume is a collection of essays on Alexander’s philosophy, ranging from his metaphysics of spacetime, theory of categories, epistemology and account of perception, naturalism, and interpretations of reactions by R.G. Collingwood and John Anderson.

Samuel Alexander was one of the first realists of the twentieth century to defend a theory of categories. He thought that the categories are genuinely real and grounded in the intrinsic nature of Space-Time. I present his reduction of the categories in terms of Space-Time, articulate his account of categorial structure and completeness, and offer an interpretation of what he thought the nature of the categories really were. I then argue that his theory of categories has some advantages over competing (...) theories of his day, and finally draw some important lessons that we can learn from his realist yet reductionist theory of categories. (shrink)

The aim of this paper is to outline Dorothy Emmet's (1904–2000) account of perception in The Nature of Metaphysical Thinking (published in 1945). Emmet's account of perception is part of a wider attempt to rehabilitate metaphysics in the face of logical positivism and verificationism (of the kind espoused most famously by A. J. Ayer). It is thus part of an attempt to stem the tide of anti-metaphysical thought that had become widespread in British philosophy by the middle of the twentieth (...) century. Emmet does not fit neatly into the traditional story of twentieth-century British philosophy. She draws on figures like A. N. Whitehead and Henri Bergson much more extensively than figures like Russell or Moore – and thus straddles the so-called ‘analytic-continental divide.’ My aim in this paper is to put Emmet on the map of twentieth-century British thought by outlining her philosophy of perception, highlighting her proposals for a way forward for metaphysics in a time of crisis, and identifying the ways she preempts movements in contemporary philosophy of perception. (shrink)

The aim of this paper is to outline Dorothy Emmet's (1904–2000) account of perception in The Nature of Metaphysical Thinking (published in 1945). Emmet's account of perception is part of a wider attempt to rehabilitate metaphysics in the face of logical positivism and verificationism (of the kind espoused most famously by A. J. Ayer). It is thus part of an attempt to stem the tide of anti-metaphysical thought that had become widespread in British philosophy by the middle of the twentieth (...) century. Emmet does not fit neatly into the traditional story of twentieth-century British philosophy. She draws on figures like A. N. Whitehead and Henri Bergson much more extensively than figures like Russell or Moore – and thus straddles the so-called ‘analytic-continental divide.’ My aim in this paper is to put Emmet on the map of twentieth-century British thought by outlining her philosophy of perception, highlighting her proposals for a way forward for metaphysics in a time of crisis, and identifying the ways she preempts movements in contemporary philosophy of perception. (shrink)