With respect to the right of privacy, some of the most difficult concerns arise from the map, and especially the modern, computer-generated map. Maps support a view in which the local--and the private--are unimportant, as they represent the world in ways that make places seem fundamentally alike. By geocoding he location of people, places, and events, maps offer a universal set of identifiers, one much more difficult to regulate than traditional identifiers like the social security number. At the same time, (...) they support the development of a system of geodemographic profiling in a way that creates "digital individuals" over whom most people have little control. And when these data are placed on a map, the problems are exacerbated, just to the extent that the reading of maps is a highly culturally determined practice; different people often interpret the same map in very different ways. This collection of problems suggests that in the context of a rapidly diffusing commercial mapping system, the traditional conception of the right to privacy is under attack, and that in the process that right is being redefined. (shrink)

Este artigo argumenta, começando pela justaposição de Heidegger ao lado dos geógrafos Ratzel e Vidal de la Blanche, e do etologista von Uexküll, realizada por Giorgio Agamben, em seu ensaio The Open, que a estética da morada , que encontramos no último Heidegger, tem que ser entendida em termos da centralidade para o pensamento de Heidegger de um conceito que também é central para o pensamento geográfico-cultural , nomeadamente, o conceito de lugar ou ‘espaço geográfico’. A centralidade dada ao ‘geográfico’ (...) no pensamento de Heidegger é freqüentemente tomada como diretamente conectada, como ela é entendida por Agamben, com o problemático engajamento de Heidegger com os nazistas nos anos 1930; e Agamben apresenta a posição heideggeriana como paralela a de von Uexküll quanto a isso. Porém, não apenas a maneira pela qual Agamben faz essa conexão é altamente enganosa, mas ela também não atenta para qualquer real consideração para o que pode estar em questão na ênfase no ‘geográfico’ em Heidegger. Há, de fato, razão para pensar que o papel desempenhado pelos conceitos de lugar e espaço no pensamento de Heidegger vai de encontro às associações que Agamben e outros supõem. Este artigo é então uma exploração do ‘geográfico’ tal como ele aparece em Heidegger e das associações políticas que podem ser pensadas como acompanhando-o, bem como da relação de Heidegger com uma certa linha da tradição geográfica exemplificada por Ratzel e Vidal de la Blanche.Beginning with Giorgio Agamben’s juxtaposition, in his essay The Open, of Heidegger alongside the geographers Ratzel and Vidal de la Blanche, and the ethologist, von Uexküll, this paper argues that the aesthetics of dwelling that we find in later Heidegger has to be understood in terms of the centrality to Heidegger’s thinking of a concept that is also central to cultural-geographic thought , namely, the concept of place or ‘geographic space’. The centrality given to the ‘geographic’ in Heidegger’s thinking is often taken to be directly connected, as it is taken to be by Agamben, with Heidegger’s problematic engagement with Nazi in the 1930s, and Agamben presents Heidegger’s position as parallelling that of von Uexküll in this regard. Yet not only is the manner in which Agamben makes this connection highly misleading, but it also neglects any real consideration of what might be at issue in the emphasis on the ‘geographical’ in Heidegger. There is, indeed, reason to think that the role played by the concepts of place and space in Heidegger’s thought actually runs counter to the associations that Agamben and others assume. This paper is thus an exploration of the ‘geographical’ as it appears in Heidegger, and of the political associations that might be thought to accompany it, as well as of Heidegger’s relation to a certain strand within the geographical tradition exemplified by Ratzel and Vidal de la Blanche. (shrink)

Chorography is a little-known field of theory and practice concerned with the significance of place, regional description/characterization, local history, and representation. A well-established discipline and methodology with demonstrable roots in antiquity and an important role in the development of antiquarian research, regional studies and the establishment of modern archaeology, chorography is useful for understanding the history of scholarship and may continue to provide sound theoretical principles and practical methods for new explorations of archaeological monuments and landscapes. This paper discusses the (...) historical uses of chorography, beginning with practitioners from classical antiquity but emphasizing the uniquely British chorographic tradition of the sixteenth through eighteenth centuries. Attention is also given to more recent efforts at exploring this tradition by literary scholars, historiographers and archaeological theorists. Careful analysis of works of—and about—chorography allows for the explication of key theoretical principles and practical methods, which are presented and elaborated upon. It is argued that chorography offers a coherent, viable and valuable approach to evaluating the long-term significance of landscapes, monuments and regions, crossing conventional disciplinary divides and connecting past and present. The paper concludes with some thoughts on the benefits of chorography for contemporary research and its potential role in modern archaeology. (shrink)