This article surveys Xenophon’s evidence for Socrates’ views on democracy. It offers a more balanced and complete reading of the evidence in Xenophon’s Memorabilia, and takes account of new ways to assess the definition of what is democratic. It argues that Xenophon’s basic image of Socrates is democratic in the broadest sense through an investigation of topics such as Socrates’ attitudes towards democratic laws, and the use of dokimasia and the ballot, as well as his views on oligarchic and democratic (...) regimes of his time, the ‘royal art’ of rule, the assembly and its decisions, and the role of the wealthy in democracy. It also argues against the general view that Xenophon’s own views on democracy as expressed in his other works show no support for democracy. (shrink)

This paper examines the generic structure and underpinnings of Xenophon's Lacedaimonion Politeia. The Lac. has frequently been regarded as a praise or defence of Sparta yet its rhetoric and narrative structure bear little resemblance to contemporary practices for composing encomia or defense speeches. Although this does not preclude an encomiastic or defensive purpose, an examination of the type of rhetoric Xenophon employs and the narrative patterns and structures in the work reveal different generic affiliations, showing that the Lac., like many (...) of Xenophon’s other writings, is a hybrid work with features belonging to politeia- literature and philosophical enquiry. Further, careful examination, in particular, of the way Xenophon makes use of imaginary interlocutors suggests that praise cannot have been the aim of this treatise. (shrink)