Este artículo analiza la lectura que hace Foucault de la democracia ateniense en los años80 y se confronta con la que realizan en Francia Nicole Loraux y Cornelius Castoriadis. De ese modo, el artículo propone un mapa de interpretaciones de la figura de Pericles por dos filósofos y una historiadora franceses. Se muestra que comprendemos así más de la ideología de Foucault que de la realidad histórica y los proyectos políticos de Pericles. Proponemos así un análisis político del anacronismo en (...) historia. (shrink)

The essay attempts to rethink the relationships between styles, publics, and politics, as well as the position of intellectuals in it. Any writing, even in the most private form of a diary, as an example from the George Orwell’s novel 1984 shows, is addressed to a public. Paradoxically, the public only exists, as Warner asserts, by virtue of its own address. In this sense, style does perform a political function. However, the critics of the opaque writing of some left ist (...) academics overlook that the public can have a temporal span into the future when they view it only horizontally in terms of its size and deduce the political effi cacy of writing on that account. The confusion of the public with citizens in general leads to the undermining of politics by the headline temporality of journalistic publics. Aspirations of some academics for the role of public intellectuals are faced with the fact that for the most part there are currently no conditions for public circulation between these spheres. As a possible counterweight, Warner recalls the approach of Michel Foucault, not merely as a reminder of how it relocated the limits of the political, but also in order to suggest how the path between intellectual work and politics could be bridged by the method of “problematization”: the development of a domain of acts and practices on the scene of a tentative counterpublic. (shrink)

The title of this article refers to Beauvoir's essay Must We Burn De Sade?. Analogous to Beauvoir's essay on Sade, this article is something of an apology for Foucault. I use Beauvoir's essay on Sade to discuss Foucault's concept of ethics as an art of living. I conclude that the final Foucault's thought on ethics can be labelled a post-existentialism, combining postmodern thinking and the issues of freedom and commitment in an inspiring way. I argue, however, that the heuristics of (...) Foucault's later work is undertheorized. Comparing Foucault's approach with Beauvoir's own concept of ethics as art of living shows hers to be superior in that it has a place for the emotions. The cold stoicism of the final Foucault only deals with emotion from the point of view of repression and sublimation. Foucault's post-existentialism must therefore be enriched with Beauvoir's concepts. I conclude that aspects of the theoretical frameworks of both Foucault and Beauvoir can contribute to the solution of some of the dilemmas of postmodern thinking with respect to politics and political theory. (shrink)