- Form, content, and affect in the theory of stories.William F. Brewer - 1983 - Behavioral and Brain Sciences 6 (4):595.details
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The point of thematic abstraction units.Michael G. Dyer - 1983 - Behavioral and Brain Sciences 6 (4):599.details
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(1 other version)An Approach to Anti-Foundationalism from Stanley Fish’s Literary Theory.Fernando Eliécer Vásquez Barba - 2021 - Revista Contacto 1 (2):52 - 74.details
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Are story representations good for anything?John B. Black - 1983 - Behavioral and Brain Sciences 6 (4):594.details
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Event structure, interest, importance, and coherence: Where does point theory fit?Thomas H. Carr - 1983 - Behavioral and Brain Sciences 6 (4):597.details
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(1 other version)Story grammars versus story points.Robert Wilensky - 1983 - Behavioral and Brain Sciences 6 (4):579.details
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The story in mind and in matter.Steven L. Small - 1983 - Behavioral and Brain Sciences 6 (4):609.details
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Los dos polos de la biografía antigua y la hagiografía.Tomás Fernández - 2020 - Circe de Clásicos y Modernos 24 (2):69-90.details
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What' the point?Nancy L. Stein - 1983 - Behavioral and Brain Sciences 6 (4):611.details
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The holes in points.David L. Waltz & Marcy H. Dorfman - 1983 - Behavioral and Brain Sciences 6 (4):612.details
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Do points define stories or texts in general?Domenico Parisi - 1983 - Behavioral and Brain Sciences 6 (4):605.details
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What's the point in points without a grammar?Csaba Piéh, János László, István Siklaki & Tamás Terestyéni - 1983 - Behavioral and Brain Sciences 6 (4):607.details
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The semantic–syntactic distinction in story grammars.Janice M. Keenan - 1983 - Behavioral and Brain Sciences 6 (4):601.details
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Do story grammars and story points differ?James F. Allen - 1983 - Behavioral and Brain Sciences 6 (4):592.details
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Whose category error?Donald Perlis - 1983 - Behavioral and Brain Sciences 6 (4):606.details
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A pointless approach to stories.Teun A. van Dijk - 1983 - Behavioral and Brain Sciences 6 (4):598.details
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Neurocognitive poetics: methods and models for investigating the neuronal and cognitive-affective bases of literature reception.Arthur M. Jacobs - 2015 - Frontiers in Human Neuroscience 9:138374.details
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La notion de "valeur esthétique" dans l'esthétique structurale de Jan Mukarovsky. Application au poème 56 de Catulle.Freddy Decreus - 1986 - Philosophica 38 (2):77-106.details
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What a story is.Jean M. Mandler - 1983 - Behavioral and Brain Sciences 6 (4):603.details
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What makes stories interesting.Bruce K. Britton - 1983 - Behavioral and Brain Sciences 6 (4):596.details
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(1 other version)Point: Counterpoint.Robert Wilensky - 1983 - Behavioral and Brain Sciences 6 (4):613.details
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Commentary Points.Robert P. Abelson - 1983 - Behavioral and Brain Sciences 6 (4):591.details
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Story grammar as knowledge.Carl Bereiter - 1983 - Behavioral and Brain Sciences 6 (4):593.details
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Psychological considerations in story analysis.Maryanne Martin - 1983 - Behavioral and Brain Sciences 6 (4):605.details
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Moving toward a point of some return.Wendy G. Lehnert - 1983 - Behavioral and Brain Sciences 6 (4):602.details
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Wilensky's recipe for soap-opera scripts, or Marcel Proust is a yenta.John C. Marshall - 1983 - Behavioral and Brain Sciences 6 (4):604.details
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A remark on stories, texts, and sentences.Petr Sgall - 1983 - Behavioral and Brain Sciences 6 (4):608.details
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Twenty-four centuries of literary studies recapitulated in ten years of cognitive science: And Now What?Dan Sperber - 1983 - Behavioral and Brain Sciences 6 (4):610.details
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How to develop a theory of story points.Arthur C. Graesser - 1983 - Behavioral and Brain Sciences 6 (4):600.details
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