The article examines the scholarly travels of Enno Littmann (1875–1958) in Syria and Ethiopia as providing an alternative model for understanding ‘the archive’ as a theoretical topos in connection with the production of historical knowledge in the 19th century. The argument seeks to dismantle the nexus between classification and modern European statehood – here discussed with the help of Derrida’s Mal d’archive – that has come to dominate debates on the epistemological place of the archive. Instead, the article seeks to (...) sketch an understanding of practical work on plural, collected and textual records of the past in terms of epistemic situations displaying a high degree of spontaneity, thus ‘wildness’. For this purpose, reading procedures, archival material and normative orders purportedly regulating archival work are scrutinized in turn for signs of wildness. (shrink)

This article probes the relationship between archives and history by examining the archive policy on historical research in the first modern administration state of the German lands, the kingdom of Bavaria. Given the continuing tradition of the theory and practice of the arcana imperii in the 19th century, state archives served first and foremost the state. As a result, researchers’ interest in archival material was to undergo an administrative vetting procedure, in order to safeguard the interests of the state. By (...) examining comparatively the cases of two petitioners supplicating for the historical use of state archives in Munich, the article showcases the policy of secrecy and the resultant administrative threshold separating the sphere of the arcana from the public. Caution guided the archive politics of state officials and, ultimately, their more or less explicit notions and concerns decided which material was finally to be released, in order to become a ‘source’ for historical study. Historical researchers such as the writer Alessandro Volpi and the historian August Kluckhohn were thus required to meet specific criteria and to overcome political hurdles, in order to gain access to the desired clues guarded by the state. As a result of this, the opportunity to inspect archival material was very much dependent on the political communication between petitioner and government, and its result, the granting or denial of access, was not without ramifications for historical research and the epistemic status of historical knowledge. (shrink)

This article probes the relationship between archives and history by examining the archive policy on historical research in the first modern administration state of the German lands, the kingdom of Bavaria. Given the continuing tradition of the theory and practice of the arcana imperii in the 19th century, state archives served first and foremost the state. As a result, researchers’ interest in archival material was to undergo an administrative vetting procedure, in order to safeguard the interests of the state. By (...) examining comparatively the cases of two petitioners supplicating for the historical use of state archives in Munich, the article showcases the policy of secrecy and the resultant administrative threshold separating the sphere of the arcana from the public. Caution guided the archive politics of state officials and, ultimately, their more or less explicit notions and concerns decided which material was finally to be released, in order to become a ‘source’ for historical study. Historical researchers such as the writer Alessandro Volpi and the historian August Kluckhohn were thus required to meet specific criteria and to overcome political hurdles, in order to gain access to the desired clues guarded by the state. As a result of this, the opportunity to inspect archival material was very much dependent on the political communication between petitioner and government, and its result, the granting or denial of access, was not without ramifications for historical research and the epistemic status of historical knowledge. (shrink)

The archival turn in 19th-century historical scholarship – that is, the growing tendency among 19th-century historians to equate professional historical studies with scholarship based on archival research – not only affected the profession’s epistemological assumptions and day-to-day working manners, but also changed the persona of the historian. Archival research required the cultivation and exercise of such dispositions, virtues, or character traits as carefulness, meticulousness, diligence and industry. This article shows that a growing significance attached to these qualities made the archival (...) turn increasingly contested. As the case of the German-Austrian historian Theodor von Sickel and his critics shows, it was not the necessity of archival research as such on which historians in late 19th-century Europe came to hold different views. Sickel’s critics were rather concerned about the potentially detrimental effects that the increasingly philological ethos of archival studies could have on the historian’s character. What was primarily at stake in late 19th-century debates on the gains and losses of increased commitments to archival study was the persona of the historian – his character traits, his dispositions and the virtues and skills in which he excelled. (shrink)

The article examines the scholarly travels of Enno Littmann (1875–1958) in Syria and Ethiopia as providing an alternative model for understanding ‘the archive’ as a theoretical topos in connection with the production of historical knowledge in the 19th century. The argument seeks to dismantle the nexus between classification and modern European statehood – here discussed with the help of Derrida’s Mal d’archive – that has come to dominate debates on the epistemological place of the archive. Instead, the article seeks to (...) sketch an understanding of practical work on plural, collected and textual records of the past in terms of epistemic situations displaying a high degree of spontaneity, thus ‘wildness’. For this purpose, reading procedures, archival material and normative orders purportedly regulating archival work are scrutinized in turn for signs of wildness. (shrink)

Historians in the 19th-century were not the first to discover the importance of source materials kept in archival depositories. More than their predecessors, however, scholars working in the historical discipline that the 19th century saw emerge tended to equate professional historical knowledge with knowledge based on primary source research, that is, practically speaking, on knowledge gained from source material that was usually kept in archives. While previous scholarship had paid ample attention to the methods that 19th-century historians employed for the (...) study of such archival material, to the epistemologies they developed in tandem with these methods and to the institutions they created for the study of archival records, this special issue explores the influence that archives, in a classic, institutional sense, exerted on the practices of 19th-century historiography. How did the archival turn affect historians’ working manners? How contested was this archival research imperative, with its underlying autopsy principle? And how did it spread geographically, in and outside Europe? (shrink)

The Dutch historiography of the middle of the 19th century was a culture of honour. Disputes over the reputations of historical figures were manifold. This article focuses on one controversy specifically that took place in the 1840s. The subject of debate was the 16th -century nobleman Henry of Brederode, his deeds, his character and his morals. The controversy was not only about content, however. Many suppositions about doing history and being a historian that otherwise remain tacit, were made explicit in (...) the controversy – especially concerning archive-based history. First, the participating historians themselves were judged – somewhat like Brederode himself – on the virtuousness, including the epistemic virtuousness, of their behaviour. Second, it was discussed whether archival documents (in this case: personal letters) were fit for use in historiography. To some, the use of these personal letters was ethically unjustifiable. Third, the location from which historical knowledge originated, mainly the archive, came under scrutiny. The singularity of the archive made historians relying on archival material prone to attacks on their trustworthiness. (shrink)

This article investigates the emergence of the archive as the primary venue for the production of historical knowledge in the 19th century. The turn to archival research, the article argues, may be considered as a response to the discussions about the problems of testimony that dominated 18th- and early 19th-century German writings on the methodology and epistemology of historical research. These discussions, especially regarding the epistemic virtues of witnesses, also helped create the particular culture of knowledge-making within German historical scholarship (...) that enabled the archival turn. The article illustrates these developments through the examples of Johann Peter von Ludewig, who was one of the most prominent historians of the early German Enlightenment, and Leopold von Ranke, who is normally considered the founder of the modern historical discipline and the most important advocate of the 19th-century archival turn. (shrink)

The Danish amateur scholar Christian Jürgensen Thomsen has often been described as a founder of modern “scientific” archaeology. Thomsen's innovation, this essay argues, reflects developments within neighboring fields, such as philology and history. He reacted against historians who limited themselves to histories of texts and therefore abandoned the earliest human history. Instead, he proposed a new history of objects, which included the entire history of humankind. Thomsen's work as director of the Royal Museum of Nordic Antiquities in Copenhagen was especially (...) important for this renewal. The arrangement of artifacts not only helped him formulate his theories, but also allowed him to present his arguments in a language of objects. At the same time, Thomsen's definition of archaeology as a museum science placed his branch of archaeology in a closer relationship with other museum sciences, such as geology and comparative anatomy. From the 1840s, Thomsen's museum became a model for how the study of human artifacts could deliver scientific insights into human nature and the laws of human development. (shrink)

In this paper, I discuss the development and use of images employed by the Dresden Royal Museum for Zoology, Anthropology and Ethnography to resolve debates about how to use visual representation as a means of making ethnographic knowledge. Through experimentation with techniques of visual representation, the founding director, A.B. Meyer (1840–1911), proposed a historical, non-essentialist approach to understanding racial and cultural difference. Director Meyer's approach was inspired by the new knowledge he had gained through field research in Asia-Pacific as well (...) as new forms of imaging that made highly detailed representations of objects possible. Through a combination of various techniques, he developed new visual methods that emphasized intimate familiarity with variations within any one ethnic group, from skull shape to material ornamentation, as integral to the new disciplines of physical and cultural anthropology. It is well known that photographs were a favoured form of visual documentation among the anthropological and ethnographic sciences at thefin de siècle. However, in the scholarly journals of the Dresden museum, photographs, drawings, tables and etchings were frequently displayed alongside one another. Meyer sought to train the reader's eye through organized arrangements that represented objects from multiple angles and at various levels of magnification. Focusing on chimpanzees, skulls and kettledrums from Asia-Pacific, I track the development of new modes of making and reading images, from zoology and physical anthropology to ethnography, to demonstrate how the museum visually historicized humankind. (shrink)