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The Aesthetics and Politics of the Crowd in American Literature

Cambridge University Press (2003)

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  1. The Exclusion of the Crowd: The Destiny of a Sociological Figure of the Irrational.Christian Borch - 2006 - European Journal of Social Theory 9 (1):83-102.
    In the late 19th century, a comprehensive semantics of crowds emerged in European social theory, dominated in particular by Gustave Le Bon and Gabriel Tarde. This article extracts two essential, but widely neglected, sociological arguments from this semantics. First, the idea that irrationality is intrinsic to society and, second, the claim that individuality is plastic rather than constitutive. By following the destiny of this semantics in its American reception, the article demonstrates how American scholars soon transformed the conception of crowds. (...)
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  • Body to Body: On the Political Anatomy of Crowds.Christian Borch - 2009 - Sociological Theory 27 (3):271-290.
    This article challenges the negative image that, since the late 19th century, has been associated with crowds, and it does so by focusing on a number of bodilyanatomic aspects of crowd behavior. I first demonstrate that the work of one of the leading crowd psychologists, Gustave Le Bon, instigated a racist body politics. As a contrast to Le Bon's political program, I examine Walt Whitman's poetry and argue that the crowd may embody a democratic vision that emphasizes the social and (...)
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