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  1. Modern Primitivism': Non-Mainstream Body Modification and Racialized Representation.Christian Klesse - 1999 - Body and Society 5 (2-3):15-38.
    This article focuses on the philosophy underpinning the non-mainstream body modification practices of `Modern Primitives'. This subculture seeks inspiration in the body modification techniques and bodily rituals of so-called `primitive societies'. Establishing their prioritization of body, sexuality, community and spirituality as analytical links, the author shows that these self-perceived radical opponents of Western modernity nonetheless remain captured in its foundational discursive assumptions. The author argues that the movement's enthusiastic turn towards `primitivism' represents a particular identity strategy within the late modern (...)
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  • Body Modification: An Introduction.Mike Featherstone - 1999 - Body and Society 5 (2-3):1-13.
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  • Anchoring the (Postmodern) Self? Body Modification, Fashion and Identity.Paul Sweetman - 1999 - Body and Society 5 (2-3):51-76.
    Recent years have seen a considerable resurgence in the popularity of tattooing and piercing, a development that some have dismissed as a fashionable trend. Others have argued that the relative permanence of such forms of body modification militates against their full absorption into the fashion system. Drawing on interviews with a variety of body modifiers, the article examines this debate, and notes that certain tattooees and piercees appear, in some respects, to regard their tattoos and piercings as decorative accessories. At (...)
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  • An Essential Marking.Stephen Pritchard - 2001 - Theory, Culture and Society 18 (4):27-45.
    This article examines a range of problems centring on the theorization of cultural identity and cultural property by reference to debates about the appropriation of the Maori `tattoo' or ta moko and the authenticity of contemporary Maori tattooing practices. Through a consideration of the relationship between cultural identity and tattooing, it addresses a problematic concerning the articulation of indigenous `property', `ownership' or `authority' in legal, anthropological and philosophical discourses. Theorizations of `tattoo' as `cultural property', for example, generally assume a certain (...)
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