Would Habermas’s “The Entwinement of Myth and Enlightenment” pass muster as coursework in a class on Dialectic of Enlightenment? Using this polemical thought experiment setup as an estrangement device, I critically discuss Habermas’s essay that was pivotal in his repositioning of Critical Theory in the 1980s. I argue that it is philosophically and biographically unreflective; and that he is engaging in underhanded politicking. I sketch an alternative reading of Dialectic of Enlightenment: instead of viewing it as the dead end that (...) Habermas presents it to be, we can see as a self-therapeutical exercise in destabilizing a complacent self-conception whereby modernity is the pinnacle of moral progress—an exercise which might have a certain exemplarity for others in the ongoing quest of making use of our own understanding. The contribution is rounded off with a postscript by a second assessor of Habermas’s essay, discussing both the proposed assessment and the polemical thought experiment. (shrink)

This article reinterprets the Dialectic of Enlightenment as a retelling of the Christian myth of the Fall. Through its account of the aporia, which Horkheimer and Adorno maintain stands at its core, the Dialectic of Enlightenment rearticulates the doctrine of original sin. The human condition is presented as tragic, and the source of this tragedy is inscribed into the very structure of human subjectivity. While the Dialectic of Enlightenment refuses to abandon hope, emancipation is reconceptualised on the model of redemption; (...) a kind of fulfilment of human nature, which would at the same time be an escape from it. Horkheimer and Adorno dispense, however, with any transcendent source of grace. Instead, the activity of philosophy itself takes on redemptive quality. (shrink)