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  1. Automobilities.Mike Featherstone - 2004 - Theory, Culture and Society 21 (4-5):1-24.
    This wide-ranging introduction to the special issue on Automobilities examines various dimensions of the automobile system and car cultures. In its broadest sense we can think of many automobilities - modes of autonomous, self-directed movement. It can be argued that there are many different car cultures and autoscapes which operate around the world, which cannot be seen as making driving (including freeways, motorways and autobahns) a uniform experience of movement in a controlled 'no-place' space. Yet, there clearly is an increasingly (...)
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  • The ‘System’ of Automobility.John Urry - 2004 - Theory, Culture and Society 21 (4-5):25-39.
    This article is concerned with how to conceptualize and theorize the nature of the ‘car system’ that is a particularly key, if surprisingly neglected, element in ‘globalization’. The article deploys the notion of systems as self-reproducing or autopoietic. This notion is used to understand the origins of the 20th-century car system and especially how its awesome pattern of path dependency was established and exerted a particularly powerful and self-expanding pattern of domination across the globe. The article further considers whether and (...)
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  • (1 other version)Wander Lust: Genre, Sexuality and Identity in Ana Kokkinos's Head On.Joe Hardwick - 2009 - Cultural Studeis Review 15 (1):33-42.
    While the road movie has long held a privileged place in Australian cinema, less prevalent, though increasingly present, has been the street movie, which—like its road movie cousin—poses important questions about identity in tracing the trajectory of its wanderer protagonists. The most remarkable recent example of an Australian street movie is Ana Kokkinos’s 1997 feature Head On. The film recounts a day in the life of a late adolescent Greek-Australian male who wanders the streets participating in sexual encounters with mainly, (...)
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