Scholarship onEcclesiazusae(as onWealth) has been largely divided between those who are in favour of a fantastical/positive reading of the play and view it as a celebration of comic energy void of serious social critique, and those who argue for an ironic/satirical interpretation and deem Praxagora's plan as a spectacular failure. The unsuccessful realization of the new political programme is often regarded as a commentary on the state of democracy at the time. Other views are more affirmative of the democratic values (...) of the play: Scholtz claims that the women inEcclesiazusaesucceed into putting into action Lysistrata's dream of a cohesive civic order, although, according to him, the play does not present ‘an unambiguouslyproorcontraviewpoint vis-à-vis gynaecocratic communalism’. Rothwell believes that the satire is directed against the greedydēmosrather than against Praxagora's plan. He sees the persuasion exercised by women as ‘a benevolent and indispensable force in democracy’, and argues that the women ofEcclesiazusae, like the women inLysistrata, strive to assure the continuity of the community; in his view, the play is about ‘the potential advantages of leadership in building a community’. Moodie also outright rejects a threatening or pessimistic reading, and makes the case that the audience is encouraged to take the women seriously as political actors owing to their unusual interaction with the audience and the rupture of dramatic illusion, which creates a rapport between the women and the audience. If the play is subversive, it is so only in its ‘non-satirical presentation of female leadership’. (shrink)

This essay argues that the Nestor's Cup Inscription is not a joke, but rather a magical spell designed to work as an aphrodisiac. It is divided into two parts, the first dealing with the hexametrical couplet and the second with the opening line. In the first section the author argues that the hexameters comprise a bonafide magical incantation, pointing out that: the two hexameters take the semantic form of a conditional curse well known from oaths and proprietary inscriptions of the (...) archaic period and from the earliest extant magical texts; hexametrical verse was commonly used as early as the classical period-and probably much earlier-in magical incantations; prosaic words in the inscription that do not appear elsewhere in literary hexameters, but are used in the Greek magical tradition, may in fact be terms of a quasi-technical nature that survive from a very old, but poorly documented, tradition of metrical incantations; and the deictic pronoun in the second line of the inscription signals the use of performative language common in magical spells. The second section of the paper turns to the opening line of the inscription, arguing that instead of introducing some sophisticated intertextual joke, this line can be best understood as a label or rubric of the sort frequently used to signify authorship or ownership in archaic inscriptions and other early texts to "seal" a writer's name to his œuvre. In later magical texts such rubrics boast a legendary author of a particular incantation or ritual. The author concludes that this inscription records an erotic spell traditionally spoken over a cup without any recourse to writing, and that its appearance on the cup from Pithecusae resulted from a random and ultimately unsuccessful experiment to transfer and transform an oral incantation into a written one in an age of incipient literacy. (shrink)