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Switch to: References
Citations of:
Francis Bacon: Philosopher of Industrial Science
Science and Society 14 (3):284-285 (1950)
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This paper suggests that Bacon offers an Augustinian (rather than a purely Stoic) model of the “culture of the mind.” He applies this conception to natural philosophy in an original way, and his novel application is informed by two related theological concerns. First, the Fall narrative provides a connection between the cultivation of the mind and the cultivation of the earth, both of which are seen as restorative of an original condition. Second, the fruit of the cultivation of the mind (...) |
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(1999). Francis Bacon's “VERULAMIUM” the common‐law template of the modern in english science and culture. Angelaki: Vol. 4, Judging the law, pp. 7-26. |
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This paper aims to contribute to the attempts to clarify and classify the vague notion of “technosciences” from a historical perspective. A key question that is raised is as follows: Does Francis Bacon, one of the founding fathers of the modern age, provide a hitherto largely undiscovered programmatic position, which might facilitate a more profound understanding of technosciences ? The paper argues that nearly everything we need today for an ontologically well-informed epistemology of technoscience can be found in the works (...) |
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Themes of mastery, domination and power are familiar to any scholar of modern technology. Science is commonly cast as enabling the technological control over both the natural and physical worlds. Indeed, Francis Bacon famously equated scientific knowledge with power itself—stating that ‘knowledge itself is a power’. Bacon’s now ubiquitous phrase—commonly repeated as the banal ‘knowledge is power’—was an attempt to combat three heresies in scriptural interpretation by asserting the conjunction between biblical knowledge and divine power. Opening his critique of the (...) |
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El presente artículo es una genealogía tras el sentido amplio del arte y la técnica al interior del palimpsesto lingüístico ‘técnica del arte’ considerando para ello los sentidos estético y técnico del arte y el sentido antiguo de la téchnē griega. Se propone que a través de la indagación genealógica sobre el palimpsesto en cuestión es posible dar cuenta de la propuesta heideggeriana sobre la téchnē griega. La téchnē, el arte y la técnica en sentido amplio son un saber que (...) |
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