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  1. Taking a Bow in the Theater of Things. [REVIEW]Michael Wintroub - 2010 - Isis 101 (4):779-793.
    ABSTRACT Beginning with the meaning and use of the word “performance,” this essay analyzes some of the ambiguities and tensions performance has historically engendered. These tensions were both social and epistemic and can be sketched out with relation to either the corrupting influences of performance as dissimulation and masquerade or its didactic possibilities as exemplary of morality, virtue, and truth. Following these tensions across the history of antitheatrical literature into early modern natural philosophy, the essay attempts to show some of (...)
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  • Current Bibliography of the History of Science and Its Cultural Influences 2002.Stephen P. Weldon - 2002 - Isis 93:1-237.
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  • Historical faith and philosophical theology: the case of Thomas White.Harry Pearse - 2016 - Intellectual History Review 26 (2):221-243.
    Today, Thomas White (1593–1676) is remembered as the leader of the “Blackloists” – a renegade Catholic group that took its name from White's sometime pseudonym “Blacklo” – and as the friend and phi...
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  • Darwin and christianity: Truth and myth.John Hedley Brooke - 2018 - Zygon 53 (3):836-849.
    In recent years many historical myths about the relations between science and religion have been corrected but not always with sensitivity to different types and functions of “myth.” Correcting caricatures of Darwin's religious views and of the religious reaction to his theory have featured prominently in this myth‐busting. With the appearance in 2017 of A. N. Wilson's depiction of Darwin himself as a “mythmaker,” it is appropriate to reconsider where the myths lie in discourse concerning Darwin and Christianity. Problems with (...)
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  • Varieties of wonder: John Wilkins' Mathematical Magic and the perpetuity of invention.Maarten Van Dyck & Koen Vermeir - 2014 - Historia Mathematica 41 (4):463-489.
    Akin to the mathematical recreations, John Wilkins' Mathematicall Magick (1648) elaborates the pleasant, useful and wondrous part of practical mathematics, dealing in particular with its material culture of machines and instruments. We contextualize the Mathematicall Magick by studying its institutional setting and its place within changing conceptions of art, nature, religion and mathematics. We devote special attention to the way Wilkins inscribes mechanical innovations within a discourse of wonder. Instead of treating ‘wonder’ as a monolithic category, we present a typology, (...)
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